Arts

ART IN THE TWENTY-FIRST CENTURY
Berlin

ART IN THE TWENTY-FIRST CENTURY: Berlin

 

Olafur Eliasson considers the impact of art beyond the object in this preview of the upcoming Berlin episode from Season 9 of the Art in the Twenty-First Century television series. Featured artists include Nathalie Djurberg & Hans Berg, Hiwa K and Susan Philipsz.

 

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LUCKY CHOW
Food as Art

LUCKY CHOW: Food as Art

 

Today, what we watch can be just as appetizing as what we eat. From the Korean art of mukbang to viral sensations, artists both amateur and professional are using food as their medium of choice. Being a foodie today is just as likely to happen in a 24/7 Korean spa as it is in a restaurant.

 

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ART IN THE TWENTY-FIRST CENTURY
Johannesburg

ART IN THE TWENTY-FIRST CENTURY: Johannesburg

 

David Goldblatt investigates South African sociocultural influences on architecture in this preview of the upcoming “Johannesburg” episode from Season 9 of the “Art in the Twenty-First Century” television series. Featured artists include David Goldblatt, Nicholas Hlobo, Zanele Muholi and Robin Rhode.

 

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NĀ MELE: TRADITIONS IN HAWAIIAN SONG
Hūʻewa

NA MELE: Hū‘ewa

 

When you hear their name, you can’t help but smile. The young trio Hū‘ewa is comprised of Kupu Dalire-Na‘auao, Kekoa Kane and Kahi Lum-Young.

 

“‘Hū’ is to hum or to make sound, to make music. And ‘ewa’ is to go off course or to find your own path,” explained Hū‘ewa member Kane. “…that’s what we do with our music…we make music on our own path, on a different style.”

 

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The trio performs songs including “Kaulana Ni‘ihau,” where they’re accompanied by the dancers of Hālau Ka Liko Pua O Kalaniakea; and a medley consisting of favorite songs of each member: “Kaulana Moloka‘i,” “Pauoa Liko Ka Lehua” and “Meleana Ē.” Dalire-Na‘auao explains, “The Hawaiian music that we chose, the type of songs that we chose…we just like to pull things from back in the day.”

 

 

 

Still Dreaming

Still Dreaming

 

A group of retired actors, dancers and musicians at the Lillian Booth Actors Home, an assisted living facility just outside New York City, perform a unique take on Shakespeare’s A Midsummer Night’s Dream. As the rehearsal process unfolds, the actors find themselves experiencing the pain and exhilaration of re-immersion in their life’s work, amidst the difficulties of old age.

 

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PBS HAWAI‘I PRESENTS
Keola Beamer: Mālama Ko Aloha (Keep Your Love)

PBS HAWAII PRESENTS: Keola Beamer: Mālama Ko Aloha (Keep Your Love)

 

This program tells the story of Keola Beamer’s journey through song. The respected composer and slack key guitarist partners with an array of musicians, including Native American flutist R. Carlos Nakai, American jazz pianist Geoffrey Keezer and Hawaiian vocalist Raiatea Helm. These collaborations demonstrate how one can retain cultural identity while openly sharing with others to create something new – a global art form. This multicultural exchange reaches its zenith when Beamer performs a Hawaiian-language version of John Lennon’s “Imagine,” with musicians playing traditional Hawaiian, Chinese, Japanese, Australian, Classical European and American Jazz instruments. In another particularly moving segment, Keola accompanies his wife Moanalani Beamer as she performs a hula as a quadriplegic woman who magically regains use of her limbs in a dream.

 

 

CRAFT IN AMERICA
Visionaries

CRAFT IN AMERICA: Visionaries

 

VISIONARIES documents the ways in which artists and influencers inspire new generations to envision the limitless possibilities of craft. Featuring textile designer and founder of LongHouse Reserve Jack Lenor Larsen, curator Helen Molesworth and Black Mountain College, weaver Kay Sekimachi, collector Forrest L. Merrill, and book artist Felicia Rice.

 

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FAKE OR FORTUNE?
Tom Roberts

FAKE OR FORTUNE? Tom Roberts

 

Tom Roberts is considered one of Australia’s most important artists, a pioneer of Australian Impressionism whose works commands hundreds of thousands of pounds. After a fierce bidding war via a U.K. auction website, an Australian couple bought the painting, shipped it back to Brisbane and presented it to a leading expert on the artist’s work – only to be told that it was not genuine. The owners’ unhappiness with the verdict has been compounded by personal business difficulties that make it more important than ever to prove that their hunch was right. Our series experts believe some of the answers to the mystery lie in Roberts’ time in England, where he trained at the Royal Academy in the 1880s. The quest for further proof takes them to Brisbane, Melbourne and Sydney. Can they find enough evidence to earn the painting a second hearing?

 

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