authenticity

FAKE OR FORTUNE?
Toulouse-Lautrec

FAKE OR FORTUNE? Toulouse-Lautrec

 

The team investigates four sketchbooks which may be the work of the young French master. Alain Brun is a French psychoanalyst who lives in Bordeaux. He was given the sketchbooks by his grandmother in the 1960s and she always maintained they were the work of Toulouse Lautrec. Alain sent them to the Lautrec committee to see if they could be authenticated. They came back saying that it was actually the work of Lautrec’s tutor, Princeteau. However, Princeteau experts have disputed this – saying they are far too good. The team searches for evidence to see if they can irrefutably link these sketches to the young Lautrec and change the committee’s mind.

 

 

 

PBS National Leader Paula Kerger
says PBS Hawaiʻi “gets it right”

 

CEO Message

 

Leslie Wilcox, PBS Hawai‘i President and CEO

PBS National President and CEO Paula Kerger arrived from Washington DC on a windy, drizzly afternoon, and she departed days later, with word of the passing of retired PBS NewsHour anchor Jim Lehrer.

 

In between, the Hawaiian sun shone and so did Kerger’s smile, as she reached out to meet and listen to Islanders and to see firsthand the work at PBS Hawaiʻi.

 

She is that leader you want to see representing the Public Broadcasting Service – observant, intuitive, open. She does her homework. She’s friendly in an authentic way. And she is a smooth veteran at pushing back as warranted.

“This is truly, I would say, the most exceptional (public television) station in our country. It gets it right. It understands what it means to be part of the fabric of this community.” Paula Kerger, PBS National President and CEO

“This is truly, I would say,
the most exceptional (public
television) station in our
country. It gets it right.
It understands what it
means to be part of the
fabric of this community.”

Paula Kerger
PBS National President and CEO

It’s no wonder that Kerger is admired among the 330 public television stations across the country. Over the last 15 years, she has gamely navigated the system through waves of profound change – the largest being the revolutionary technology that has expanded PBS programming to online platforms. It’s a period that has seen a commercial explosion of programming on Netflix, Hulu, Amazon, etc.

 

Oh, and we can’t forget that much of the public Kerger serves has become deeply polarized and can’t agree on what’s fact and what’s not.

 

Kerger with Honolulu event sponsor, Donna Tanoue and event co-host Dr. Mary Bitterman Getting together with Kalāheo High (Kailua, O‘ahu) students Hope Kanoa, Gabrielle Goodgame and Emily Casey; their HIKI NŌ teacher, Kathy Shimizu; and Wai‘anae High HIKI NŌ educator, John Allen

Kerger with Honolulu event sponsor
Donna Tanoue and event co-host
Dr. Mary Bitterman
Getting together with Kalāheo High (Kailua, Oʻahu)
students Hope Kanoa, Gabrielle Goodgame and
Emily Casey; their HIKI NŌ teacher, Kathy Shigemura;
and Waiʻanae High HIKI NŌ educator, John Allen

 

Kerger, once COO of the flagship New York public television station WNET, told our supporters she’d wanted for some time to visit PBS Hawaiʻi, especially as young HIKI NŌ students won more and more national awards, using PBS journalism standards. She waited, because we were working through our own transitions, including the need to relocate and build a new facility.

Proud of two HIKI NŌ storytellers from Kaua‘i High who’ve achieved national distinction: PBS Digital All-Star Leah Aiwohi and student alumna Tiffany Sagucio, a PBS Gwen Ifill Fellow

In a conversation with PBS Hawaiʻi supporters, Kerger said she has traveled widely throughout the nation. Then she stunned us with: “This is now my 50th state. This is truly, I would say, the most exceptional (public television) station in our country. It gets it right. It understands what it means to be part of the fabric of this community.”

 

Pictured right: Proud of two HIKI NŌ storytellers from Kauaʻi High who’ve achieved national distinction: PBS Digital All-Star Leah Aiwohi and student alumna Tiffany Sagucio, a PBS Gwen Ifill Fellow

 

If you’d like to find out more about this national public media leader, you’re invited to join us at the table, so to speak, on Long Story Short with Leslie Wilcox on Tuesday, March 24, at 7:30 pm, broadcast and streaming.

 

Aloha nui,

Leslie signature

 

 

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
Ahumanu

 

We’re proud to present a brand-new episode of NĀ MELE: TRADITIONS IN HAWAIIAN SONG featuring the all-wāhine Hawaiian music trio Ahumanu, from Maui. Members Kekai Robinson, Marja Lehua Apisaloma and Liz Morales say their work in the community outside the entertainment realm brings to their music a dimension of authenticity, service and responsibility. The trio, whose name translates to “a gathering of birds,” performs songs including “E ʻAno ʻAno Ē” and “Kahi Aloha.” Guitarist Josh Kahula and steel guitarist Casey Olsen are also featured, with Leinaʻala Kuloloio Vedder providing hula accompaniment.

 

 

 

Ahumanu
Maui-based Trio

Cover story by Liberty Peralta, PBS Hawaiʻi

 

Ahumanu on Nā Mele: Traditions in Hawaiian Song

Members of Ahumanu: Kekai Robinson, Marja Lehua Apisaloma and Liz Morales

 

Like the latest smartphone or computer software, Ahumanu founding member Liz Morales calls the band’s third and current lineup of band members “Ahumanu 3.0.”

 

It’s not unusual for bands to see lineup changes. But Morales, a former radio personality, is confident that this version is something special.

 

“We have our own sound, and that comes from working with what we have,” Morales says. “Since we had so many different players, each version of Ahumanu sounded very different, so I think it’s only until Ahumanu 3.0 that I realized, hey, this is kind of different, I like it.”

 

Marja Lehua Apisaloma and Kekai Robinson round out the Maui trio, whose name translates as “a gathering of birds.” Each member brings her own contributions to the Ahumanu table.

 

Ahumanu on Nā Mele: Traditions in Hawaiian Song

 

Apisaloma says her day job as a registered nurse helps add some level of authenticity to the group’s music – a reminder of how much they have to be thankful for, down to the most essential details.

 

“We can breathe and we can use the bathroom on our own, we can walk on our own, we can speak,” she says. “You see all of that as a nurse and see people at their most vulnerable times. It’s such a drastic difference from the entertainment industry because you put on a face and it’s all a show.”

 

Robinson, who heads Hawaiian immersion school Ke Kula ʻO Piʻilani by day, says Ahumanu is an extension of the community work that’s played an important role in her life.

 

NĀ MELE: TRADITIONS IN HAWAIIAN MUSIC - Ahumanu airs Monday, February 24 at 7:30 pm. Sponsored by: Hawaiian Airlines and First Hawaiian Bank“I practice Hawaiian oli (chants), and those are the messages and the voices of our ancestors coming through,” she says. “The messages that they give us are relevant now, so there’s a great sense of responsibility there to do the same in our music.”

 

That responsibility shows in songs like “Kahi Aloha,” one of several songs that Ahumanu performs on an upcoming episode of PBS Hawaiʻi’s Nā Mele: Traditions in Hawaiian Song. Originally written as a wedding gift, “Kahi Aloha” has taken on a larger meaning in Robinson’s eyes.

 

“Aloha has become a big part of this contemporary move towards protecting our environment, protecting what we have,” she says. “When you stand in aloha, you can come at me and bring whatever it is that you are to me, but I am going to stand here and remain respectful towards you. It’s a discipline, and so, I understand it now. It’s not our normal state. We want to work towards aloha being a normal state.”

 

Through their weekly pau hana performances in Kahului, Ahumanu has a regular platform to share their messages in song, with authenticity, respect and love. Ahumanu 3.0 is on a roll, and Morales ponders what’s next.

 

“I’d like to be a resource for the next generation of musicians that would like to do this,” she says. “Growing up in this field, it was such a mess. I didn’t know how to get where I wanted to be and those lines were so unclear … [now] I’m living the life, having a great time and very happy that I’m able to help perpetuate what we’ve known forever: Hawaiian music.”

 

 

FAKE OR FORTUNE?
Giacometti

FAKE OR FORTUNE? Giacometti

 

Twentieth-century sculptures are hot property in the art market. Alberto Giacometti’s Pointing Man figure sold for $141m at auction in New York in 2015, making it the most expensive sculpture ever sold. Could a stark, white square of plaster that has been passed down through an English family with art world connections be one of Giacometti’s earliest and most daring works?

 

 

 

The Mission of Reaching Far and Deep

 

CEO Message

 

Leslie Wilcox, PBS Hawai‘i President and CEOThe theme of human connection ran alongside the subject of digital media strategies at the PBS Annual Meeting last month in Nashville, Tennessee. Which felt just right. What we strive to do in public media is combine the power of touch and the reach of tech to serve our home states.

 

Why meet in Nashville? Because PBS representatives from around the country need to meet somewhere – and Music City was a great setting for renowned filmmaker Ken Burns to share his newest epic, Country Music.

 

He spoke in a hotel ballroom two blocks from a boulevard of windows-thrown-open, live-music honky tonks. The eight-part, 16-hour film premieres on PBS stations nationally on Sunday, September 15.

 

At the conference, Burns said the film isn’t only for country music fans. At the heart of this American art form are honesty, vulnerability and real life. It’s about the joy of love and family, the hurt of betrayal, loneliness, regret, resilience, toil, faith, independence and the lure of the open road.

 

The Mission of Reaching Far and Deep

Leslie at Nashville conference with national PBS figures (right to left)
news anchor Judy Woodruff, commentator David Brooks and
(far left) arts adviser Jane Chu

 

I had the privilege of taking part in a discussion on stage with heavy hitters: (right to left) PBS NewsHour anchor and managing editor Judy Woodruff; NY Times Op-Ed columnist/PBS NewsHour commentator/author David Brooks and (far left) PBS Arts Adviser Jane Chu. We looked at how the arts reach deep within people and we considered Brooks’ proposition that the neighborhood, not the individual, is the essential unit of social change. And we talked about using local knowledge to determine the best ways to convene and authentically engage communities of diverse voices.

 

Just as there’s no quick fix for the broken heart in a country song, there’s no manual for success in the rapidly changing media industry. The spinning evolution of tech choices, viewer options and fragmented audiences requires media makers to be agile and relentlessly purposeful – and that still doesn’t assure success.

 

Here’s an industry expectation that’s a safe bet: In three years or less there will be as many digital screens as live TV screens being used to view programming.

 

PBS KIDS viewing is already there. Digital screens dominate in front of young children, who also use them to play PBS educational video games.

 

Back from Nashville, our local team knows that we need more than quality programming going for PBS Hawaiʻi; we need to offer easy availability. You as a viewer want to be able to watch what you want – when and where you want it. Our Passport streaming service and our website on-demand programs are a start.

 

If PBS Hawaiʻi’s digital strategy goals were a country music song, the title would be “I’ll Go Anywhere With You.”

 

Aloha Nui,

Leslie signature


 

PACIFIC HEARTBEAT
SEASON 8 Programming

 

PACIFIC HEARTBEAT LOGO

 

Now in its eighth season, the anthology series PACIFIC HEARTBEAT brings the authentic Pacific – people, cultures, languages, music and contemporary issues – to your screen. This new season brings stories of determination and courage from Australia, Rapa Nui (Easter Island), Tonga and the U.S. The series is a production of Pacific Islanders in Communications in partnership with PBS Hawai‘i, and is distributed nationally by American Public Television.

PACIFIC HEARTBEAT SEASON 8: Te Kuhane o te Tupuna (The Spirit of the Ancestors)

Te Kuhane o te Tupuna (The Spirit of the Ancestors)
Sat., May 4, 8:00 pm
Encore: Thurs., May 9, 10:00 pm

This documentary film is a journey from Easter Island to London, in search of the lost Moai Hoa Haka Nanaia, a statue of significant cultural importance. It explores the social and political landscape of the island of Rapanui as the people attempt to claim back what is rightfully theirs: their land and a lava-rock image of tremendous presence, representing one of the world’s most extraordinary cosmological views.

PACIFIC HEARTBEAT SEASON 8: Corridor Four

Corridor Four
Sat., May 11, 8:00 pm
Encore: Thurs., May 16, 10:00 pm

Corridor Four is a documentary that illustrates Isaac Ho‘opi‘i’s story in the aftermath of 9/11. After all the news cameras had turned off and all the lights had dimmed, Isaac was left only with the horrific images he had seen and the memory of those he was unable to save. His is a story not of a hero basking in the glory of his past deeds, but of a human being filled with regret that he couldn’t change something completely out of his control.

PACIFIC HEARTBEAT SEASON 8: Prison Songs

Prison Songs
Sat., May 18, 8:00 pm
Encore: Thurs., May 23, 10:00 pm

The people imprisoned in a Darwin jail are shown in a unique and completely new light in Australia’s first ever documentary musical. Incarcerated in tropical Northern Territory, over 800 inmates squeeze into the overcrowded spaces of Berrimah Prison. In an Australian first, the inmates share their feelings, faults and experiences in the most extraordinary way – through song.

PACIFIC HEARTBEAT SEASON 8: Leitis in Waiting

Leitis in Waiting
Sat., May 25, 8:00 pm
Encore: Thurs., May 30, 10:00 pm

Leitis in Waiting tells the story of Tonga’s evolving approach to gender fluidity through a character-driven portrait of the most prominent leiti (transgender) in the Kingdom, Joey Mataele, a devout Catholic of noble descent. Over the course of an eventful year, Joey organizes a beauty pageant, mentors a young leiti who is rejected by her family, and attempts to work with fundamentalist Christians regarding Tonga’s anti-sodomy and cross-dressing laws. Her story reveals what it means to be different in a deeply religious and conservative society, and what it takes to be accepted without giving up who you are.

Related: See interview with the filmmakers of Leitis in Waiting by Emily Bodfish, PBS Hawaiʻi

PACIFIC HEARTBEAT SEASON 8: Let's Play Music! Slack Key With Cyril Pahinui and Friends

Let’s Play Music! Slack Key With Cyril Pahinui and Friends
Sat., June 1, 8:00 pm
Encore: Thurs., June 6, 10:00 pm

Master slack key musician Cyril Pahinui, jams with some of the most revered and talented musicians in Hawai‘i in intimate kanikapila style backyard performances. Cyril was the son of Gabby “Pop” Pahinui, who is considered the “Godfather” of Hawaiian slack key guitar and whose music was featured prominently in the Academy Award winning film, The Descendants. Cyril Pahinui passed away on November 17, 2018; this broadcast is dedicated to him.

 

 

 

The Ultimate Real Estate in a Democracy: Common Ground

 

CEO Message

 

The Ultimate Real Estate in a Democracy: Common Ground

 

KĀKOU – Hawai‘i's Town Hall

 

Leslie Wilcox, PBS Hawai‘i President and CEOAs Hawai‘i real estate keeps getting pricier, I keep thinking of a different kind of real estate that is ultimately more valuable in a democracy.

 

Common ground in our national and local discourse: Priceless.

 

These are days when people don’t just disagree on issues; they have different sets of facts. And there’s a media voice catering to every opinion, affirming what one already believes, whether it’s true or not.

 

We all have reason to worry about our democracy, since its health depends upon shared core values, a level of trust in our leaders, and the reliability of information on which to act.

 

Hawai‘i is by no means seeing the kind of partisan polarization that is gripping the Continent, but we’re struggling to get our arms around and agree upon big issues, such as what to do about homelessness and how to support jobs with increasing automation in the workforce.

 

PBS Hawai‘i brings together Islanders with differing perspectives to engage directly with each other on many top-of-mind subjects and some issues that aren’t considered enough. Real democracies require real discussion.

 

This is not the same as what local daily broadcast news operations do – they generally try to tape separate interviews with the parties, and air the contained sound bites in a two-minute story in the newscast. (It’s not easy to convene people who disagree with each other, especially on short notice.)

 

On our weekly hour-long Insights on PBS Hawai‘i and our periodic two-hour KĀKOU – Hawai‘i’s Town Hall, people on different sides of issues meet face to face – and they’re being televised and streamed live. They show up, because they want to get their message across; because it’s the responsible, responsive thing to do; and because they trust us to treat them fairly. Once in a great while, when an issue is particularly volatile, we’re unable to get pro and con leaders to sit down together. And also infrequently, we end up with a lackluster program because we can’t get participants to depart from canned comments, to have a real conversation.

 

But most times, participants put aside any discomfort they may feel about engaging directly with opponents or critics and answering follow-up questions from our moderator. The best of these participants truly listen, instead of trying to cut short their opponents or simply waiting for their turn to speak. This leads to candid, meaningful exchanges that help viewers develop their own perspectives.

 

With today’s complicated societal challenges keeping us at odds and on hold, our mired democracy seriously needs this kind of civil discourse.

 

When you contribute your hard-earned dollars to PBS Hawai‘i, you are supporting the power of media for public service over profit and politics. And you’re supporting priceless common ground for the common good. Thank you!

 

Aloha nui,

Leslie signature