generosity

LONG STORY SHORT WITH LESLIE WILCOX
Allen Hoe

LONG STORY SHORT WITH LESLIE WILCOX: Allen Hoe

 

As one of more than two million draftees called upon to fight in the Vietnam War, 19-year-old Allen Hoe thought he would serve his time and then his life would return to normal. He couldn’t have imagined that his 10-month combat tour would make him what others describe as a soldier’s soldier. The longtime Hawai‘i attorney reflects on the wartime experiences that forever shaped his civilian life.

 

Read the November program guide cover story on Allen Hoe

 

Program

 

This program will be rebroadcast on Sunday, Nov. 18, at 4:00 pm and 11:30 pm.

 

More from Allen Hoe:

 

The Flag

 

Why Polo?

 

Allen Hoe Audio

 

Download the Transcript

 

Transcript

 

When U.S. Army General Robert Brown spoke of the 2018 recipient of the Mana O Ke Koa, Spirit of Warrior Award, he said: Awardees demonstrate unparalleled patronage for and civilian leadership toward our Army.  Allen Hoe embodies those qualities.  While each nominee for the award is deserving, we feel Allen’s dedication to the Army is truly outstanding.

 

Fifty years prior to General Brown’s statement, the Army sent a special invitation—a draft notice, to the same Allen Hoe, who admits he was a typical local boy of the late 60s, focused only on surfing, hotrods, and girls.  But a ten-month combat tour in a small country in Southeast Asia turned this local boy into a soldier’s soldier.  Vietnam veteran Allen Hoe, next, on Long Story Short.

 

One-on-one engaging conversations with some of Hawai‘i’s most intriguing people: Long Story Short with Leslie Wilcox.

 

Aloha mai kākou. I’m Leslie Wilcox.  Allen Hoe’s father was from Kalihi on O‘ahu, and his mother was raised in Moloa‘a on Kaua‘i.  He points out his ancestors were all subjects of monarchies—on his father’s side, Chinese and Japanese; his mother, Hawaiian, English, Scottish, German, and Spanish. His father was a World War II veteran, and there’s evidence of warriors serving their country throughout Hoe’s family tree from the Queen’s royal guard in India, to a war lieutenant for King Kamehameha.

 

Now, you were raised a regular local kid?

 

Typical local boy; right.  You know, in the 60s, focused on surfing, rock ‘n roll, and girls.  The 60s, I think, for me, our history in the 60s was probably the most traumatic decade that our country has experienced in the last century.

 

And were you part of that resist, oppose? You know, resist authority was the call of the day for young people.

 

Yeah. Me?  No; I was more interested in hotrods and surfing.

 

So, that kind of passed you by.

 

Yeah, yeah; that kinda passed us by.

 

Were you in ROTC as a student?

 

So, did the war in Vietnam touch your life as it started out in the 60s?

 

You know, not really.  I think in my junior, senior year, it was just really kinda like an extra subject for history lessons, history courses.  And it wasn’t until the summer after we graduated that it kinda came home very personally, because the older brother of one my dearest friends was one of the first casualties in Vietnam.  He was killed in Cu Chi.

 

Oh …

 

And then, later on that year, I had a cousin who was killed in Vietnam as well. And then, it’s like, wow, this is for real, what’s happening here.

 

What happened next?

 

And then, I was still pretty much living life like a local boy.

 

Hotrods.

 

Hotrods—

 

Girls and surfing.

 

Yeah, yeah, surfing.  And then, I got a special call.  I love to tell this story, because the young soldiers today, I said: You know what, we are so proud of the decisions you made to serve your country, but you know, my legacy is a little bit different.  I was very special; Uncle Sam came looking for me.

 

He said: Mr. Hoe, we need you.

 

Had you been dreading a draft call?

 

No; no. You know, in my generation, that was part of growing up.  At some point, you know, you would either volunteer to become part of the then, what was very fascinating all-Hawai‘i company, which on 4thof July every year, you know, a hundred or so young high school grads would become part of the all-Hawai‘i company.  So, for me, you know, service was just gonna be part of my growing up.

 

So, that service didn’t, in your mind, include combat.

 

No. But it included, you know, doing some time in the military.

 

Right.  And so, even when you got that call, you didn’t say: Oh, my god, I could get sent to Vietnam, I could get put in really difficult circumstances.

 

Yeah; reality … I was nineteen, and that was not, I think, part of my reality. You know, I was young, still making perhaps unwise decisions regarding activities in life, et cetera.  So, for me, yeah, I didn’t feel threatened by it, neither did I feel any kind of overwhelming sense of obligation, other than to serve your country.

 

I understand after being drafted, you could have stayed here, I think.  But you volunteered to go to Vietnam?

 

Yes. Having grown up and hearing the stories from my aunts and uncles, and cousins, regarding our, quote, warrior culture, after training to become a combat medic—

 

Why did you train to be a combat medic?

 

Well, Uncle Sam said that’s—

 

You were designated.

 

Designated.

 

Okay.

 

Yeah; for training.  And you know, they give you a battery of tests, et cetera, and you know, who knows, but you know, fortunately, and I feel I was very blessed to have been selected to become a combat medic.  And after I trained long and hard to do that, when we graduated, all of the new combat medic qualified soldiers would go to the bulletin board to see where their next duty station was.  And the bulk of my class went straight to Vietnam.  I was assigned to San Francisco.  And you know, I didn’t question it.  And then, when I got to San Francisco, I was assigned to Travis Air Force Base.  The unit I was assigned to had a lot of soldiers who had come back from Vietnam, and they maybe had three to six months left on their assignment before they got out of the Army.  And stories that they shared with me in terms of what it was like presented a challenge to me, and I said: You know, given my background and my family history, I don’t ever want to … look back and say, I wonder how I would have done in combat.

 

But it was a different kind of combat.  I mean, it was like no other war we’ve had.

 

Yeah, but you know, for a nineteen-year-old, there’s only one kind of combat.

 

Wasn’t there some Geneva Convention ruling that it’s a war crime to shoot a combat medic who’s clearly identified in combat. But in Vietnam …

 

There were no rules.

 

Forget it.

 

Forget it; right.  And life expectancies for combat medics were worse than first lieutenants.

 

So, you wore weapons.

 

I carried, I carried both sidearm and a rifle.  And you wore nothing that indicated that you were a medic, other than your bag was bigger than the rest.

 

And then, you went out right after people got hurt in combat.

 

My mission, I was with a long-range reconnaissance team.  And so, when someone got wounded, they were generally standing right next to you, so you knew what was going on.  Yeah.

 

So, you could have been hit too.

 

Yeah.

 

Did you fire your weapon?

 

Yes. You know, for me, part of that experience, being twenty by the time I got there, and being young and adventurous, part of my responsibility being on that team was, I had to learn all the duties or all the functions of everyone else.  And as the medic, I trained the members of my team to the best of my ability in terms of, you know, first responder life-saving methods.  So, while with the team, not only did I fire my weapons, but you know, I helped set ambushes, I learned how to call artillery, and learned how to set demolitions and blow charges.  And yeah, you gotta understand, for a twenty-year-old, this is like fun stuff.

 

You don’t feel that it’ll actually hurt you? Do you feel untouchable?

 

You feel immortal.

 

Immortal.

 

Yeah.

 

Yeah.

 

The most foolish kinds of things that one accepts in combat is that if it happens, it happens.  You know. And then, for me, it was, you know, as long as I can get through three of these life-threatening experiences, then I’ll be okay.  I very clearly distinctly remember the three times that I was supposed to have received something fatal, and survived.  And after the third time, it was like, oh, big relief.  I said: Nothing’s gonna happen.

 

I’ve got a force field around me.

 

I’ve got a force field around me.  And then, you just kinda learn how to operate just naturally and freely.  And yeah, you were still concerned, you were still frightened on occasion, but you knew that at the end of the day, nothing’s gonna happen. And you know … nothing happened.

 

But you can’t do that by skill alone; right?

 

It’s luck.

 

It is a matter of chance.

 

No, no, no.  Yeah; you survive combat purely on luck.

 

And meanwhile, you were seeing some scenes you can’t un-see.

 

Yeah.

 

Mutilated limbs and gory stuff.

 

Yeah.

 

Very sad, just grievous injuries.  How did you deal with that?

 

For me, it was just reactionary.  I trained; everyone trained.

 

You compartmentalized?

 

You compartmentalize.  When stuff happened, instinct kicks in.  And you know, I think one of the saving graces of our current force is that our young shooters, as I call them, the young infantry soldiers or the young combat soldiers that have to go to war for us, they are required to train twenty-four/seven.  And it becomes instinctive, it becomes reactionary.  So, when they’re on a patrol, they experience enemy action, they immediately shift into their combat mode.

 

Did you hear the talk that we understand was common at the time, where people were saying: What are we here for, why are here, this war doesn’t make sense.

 

Yeah. We would hear about that or read about that in letters or the newspapers that would occasionally come to us.  But you know, the reality is, at the end of the day in combat, you’re not thinking about fighting for your country, you’re not thinking about fighting to preserve, you know, family values or the constitution, et cetera.  You are simply thinking about saving the life of your buddy on your right and on your left. And you know, the reality is, at the end of the day, if you’ve done your job right and everybody survives, our country will be blessed by that.

 

Did you get really close to the guys you served with?

 

Oh; you know, to this day.  Fifty years ago, I met incredible bunch of young men, and probably spent twenty-four/seven with these men, maybe not more than four or five months with them, but to this day, when I hear their voice, I immediately know who I’m talking to. It’s that special bond that even kind of um, surpasses a familial bond.  You know, I have a relationship and memories of guys that I served with perhaps that run deeper than with my own two siblings.

 

Wow.  And you know, when you’re with somebody who’s terribly hurt, and possibly or inevitably dying, it’s a really intimate time you share.  How was that?

 

Yeah. For me, and the guys most closest to me, if one of our buddies was hit, we were—this is fascinating–we were doing our best to stabilize his condition, but it becomes not quiet and soft, but it becomes a loud, raucous kind of conversation to get their attention, to get them to focus, to get them to hang on and not to give up.  You know, so it’s yelling and screaming.  This is like—you know, I remember the first time that happened, my platoon sergeant, who obviously had been there longer than me, as I was treating one of my wounded buddies, he was shaking him to get him to respond, to wake up, and to fight on before we put him on the helicopter.  And I learned something that day, in terms of first, you know, you’re gonna … do your job to stop the bleeding, prevent the shock, but at the end of the day, you’ve got to get that young soldier’s attention, to get him to focus on things he needs to do.

 

Because that helps him—

 

Him, yeah.

 

–help himself.

 

Help himself.

 

You know, you have seen some things that most people never see, never have to know what it’s like.

 

Yeah.

 

How has that affected you?

 

You know … at times, it causes me to kinda go into a slump, but I’ve always been able to deal with that in terms of, that’s war.  And I kinda kick into this mode where long time ago, I read this passage where, you know, in war there’s only two rules; the first rule is that people die, and then the second rule is that you cannot change rule one.  So, you know, we were at war, people are gonna die, you know, and thank God if you survive, that you survive.

 

That 1968, when you were there, that was a particularly …

 

Yeah.

 

–fatal—

 

Yeah.

 

–grisly year.

 

Yeah.

 

I mean, lots of fatalities.

 

Yeah. I guess the high water mark was 1968; in May, 1968.  And yeah, May 1968 was a particularly bad month for me.

 

What happened?

 

I lost eighteen of my guys.  And but for the grace of God, I would not be here, because ten of ‘em are still missing in action.  The grace of God was that my unit was transitioning from Point A to Point B, and I was not with them that day.  I was back in the rear, getting ready to rejoin them.  Before I could rejoin them at the new location, they were overrun.

 

And some of them were never found, but were you treating your own men?

 

Yeah.

 

In the field.

 

Yeah.

 

May; was that Mother’s Day?

 

May, Mother’s Day.

 

Mother’s Day.

 

Mother’s Day, 1968.  Yeah. I mean … if you can imagine, I mean, you’re a mother, you know how important Mother’s Day is.  That day by itself, you know, to get the message or the knock on your door that your son was killed on Mother’s Day.  I mean …

 

And so now, when Mother’s Day comes around at your home, you think of another meaning for it.

 

Yeah. I am reflective on the mothers of my men who didn’t make it.  And you know, over the past fifty years … that bond I had with their sons, I’ve developed with them.  So, for me, it’s very special.  For me, it’s always been an obligation to assure their mothers whose sons never came home that their sons are superb young men.

 

You made an effort to go do that?

 

Absolutely.  The majority of the men who I lost on Mother’s Day 1968, their mothers and their fathers had absolutely no clue what happened to them.  And to live without any knowledge of what happened, I just couldn’t.  And that’s even worse, you know, to have your son taken from you in combat, and that’s all you know.  He’s not here.  Why? We can’t share that with you, we can’t tell you the circumstances, or what happened on that day.

 

Do you think you had PTSD after the war?

 

I had issues.  I don’t necessarily think it is or was PTSD.  Everybody who experiences combat has issues.  I remember when I first came back from Vietnam, the first month that I was home, it was just party time; right?  You know, I was riding motorcycles back then, and every night we’d go out and … go and enjoy life, tip a few Primos.  And I remember like after a month, one day, my dad came home.  We were passing, I think in the driveway; I was getting ready to go out, and he was coming home from work.  And said: Al.  He said: You have a moment?  I go: Yeah, absolutely.  He told me, he said: You know, son, I won’t even begin to understand what you experienced in Vietnam, and what you’re doing now, you know, I’m not supportive of your behavior and what your conduct is now.  So, you know, how much longer are you going to do this, ‘cause don’t you think you need to start thinking about your future?  I hope you’re not planning to do this the rest of your life.  And I said: No, Dad, I’m just having fun.  But you know, that kinda came home to roost really strong for me, my father saying: Okay, all right, it’s time to kinda like get on with your life.  And, you know, I did.

 

He did it in such a nice way, too.

 

Yeah; he was just an incredible guy.

 

Allen Hoe’s parents had always insisted he would attend college, so when he returned home, he took advantage of two new State institutions for learning.  He enrolled in the new Leeward Community College, later graduating from UH Mānoa, and he was among the first class of law students admitted to the William S. Richardson School of Law.

 

Okay; the style of the day was long hair.

 

Yeah.

 

So, did you go back from the war with your short haircut, to—

 

Long hair.

 

–long hair.

 

Yeah.

 

And did you see anti-war protests?

 

Oh, yeah; yeah.  You know …

 

How did you feel about them?

 

You know, this may sound strange, but to me, that was just part of our great democracy.  You know, I tell people: Yeah, I have no problems with the protests, the marchers, and the anti-war people, even when I was in Vietnam.  I said: Hey, that’s what we’re here for, to give them the right to exercise, you know, their freedom.  And it truly did not bother me.  One of the things, though, that did bother me was, a couple of the young Leeward students were egged on by this group to pull down the American flag. And four of us Vietnam veterans stood ‘em off, and we said: You touch that flag, and you’re gonna go down.  And … they left the flag alone.  I said: You can protest the war all you want, but you’re not gonna come and touch this flag.

 

And that was a spontaneous act by the four of you?

 

Yeah.

 

Did you ever get pegged the wrong way when you walked around campus with the long hair?  I mean, did people assume anything about you that wasn’t true?

 

The wife of a soldier who was in one of my classes, her husband was a career soldier, had not been in combat.  And she made this kind of strange comment to me.  She said: Why are you so angry?  And I said: What do you mean?  She said: There’s this hate that comes from your eyes.  And I said: Your husband’s a soldier, has he been in combat?  No.  I said: Well, you send him to combat, and this is the look that he will come home with. And she just couldn’t understand that.

 

That it’s not anger.

 

It’s not anger.  People these days, or even for many years, they call it the Thousand-Yard Stare.

 

Allen Hoe’s adjustment to civilian life was bolstered when he met his future wife, Adele.

 

We met actually, I think maybe the second month after I got out of the Army. And you know, when I first saw her, I said: Oh, my god, that is the girl of my dreams.

 

At first look?

 

That first day we spent together.  She was actually a coworker of the sister of one of my dear friends.  So, we just kinda like wound up on not a blind date, but time together.  And she was, or is just a special person.  Yeah; yeah.  Swept me off my feet, so to speak.

 

Adele and Allen Hoe married and shared in the joy of raising two sons: Nainoa and Nakoa.  Both young men chose to be warriors and serve their country.  The elder son, Army First Lieutenant Nainoa Hoe, was killed by a sniper’s bullet while he led a foot patrol in Northern Iraq in 2005.  He was just twenty-seven years old, and had been married for less than a year.

 

My wife and I, Adele, we still hear from the soldiers who served with Nainoa. And that is very comforting to us. He absolutely loved being a soldier. And the fortunate part, if there is anything fortunate about that horrible tragedy, was that his last day on this earth was documented by a writer who wrote an incredible story of how my son spent his last day with his men in combat.  Now, for me, as a father who had experienced combat, that was just an absolutely incredible story.  For me, it was very gratifying to hear how he performed in combat, and how his men just dearly loved him.

 

Yeah; I was so impressed by your son Nakoa.

 

Ah …

 

Seeing him at an event where Nainoa was being spoken of and honored, and all the attention was on the fallen son.  And Nakoa is a very honorable and brave, Army leader in his own right.  Right?

 

Correct.

 

But it was not about him; he was just happy to see Nainoa being celebrated.  I thought, he’s grown up in that shadow of his—

 

Big brother.

 

–his big brother being venerated as a hero.

 

Yeah.

 

And not feeling like: What about me?

 

Yeah. You know, in retrospect, my Hawaiian culture, that’s what led me to name him Nakoa; brave, courageous, strong, army, a soldier.

 

It does take courage to kinda—

 

Yeah; to stand in the shadow.

 

To stand in the shadow; right.

 

Yeah. And he has become just an incredible young man.

 

So much grace.

 

So much grace.

 

Did you teach him that grace?

 

His mother taught him that grace.

How our family and how this community responded when our son was killed, for me, it was very eye-opening.  You know, having survived combat, having witnessed death, it was totally different when that knock came on our door.

 

2005.

 

  1. And then, it’s like our whole world just came screeching to a halt. And then, you know, over the years, I’ve become very close to the Vietnam veterans’ efforts, the memorials, et cetera.  Jan Scruggs is a very dear friend.  And you know, Memorial Day 2005, I was invited to come and be a speaker at the Memorial Day ceremony at The Wall.  It was not the first time I had been there, but that was my first experience when I got there and I looked at the fifty-eight thousand plus names in the wall, including like a whole panel of my guys.  And I just kinda like … stopped, caught my breath, and I said: Oh, my god.  Looking at all these names, you would think that the world would have come to a complete stop.  Because I know my family—

 

For some, it did.

 

Yeah.

 

Many, it did.

 

For some, it did.  And for, you know, my—my experience and my family’s experience, the world did come to a stop.  You know, but there it is, fifty-eight thousand plus names, and we’re still at war.

 

Shortly before our conversation with Allen Hoe in the summer of 2018, he and nine other local Vietnam veterans were honored at what the Army referred to as a long overdue ceremony.  While only ten veterans were selected, the Pentagon report said they represented a large number of soldiers who served in the Southeast Asia conflict, but were never given a proper military ceremony to present awards and medals.  Allen Hoe received a Bronze Star and Purple Heart at the ceremony, and told news reporters it was well worth the wait to have the brigade you went to war with recognized years and years after that war was over.

 

We thank Vietnam Combat Medic Allen Hoe for his time with us, and the work he continues doing in the civilian and military communities.  And we thank you, for joining us.  For more of Allen Hoe’s conversation, including how a flag originally purchased as a souvenir in Vietnam has earned a military record of its own, and why it’s in Hoe’s DNA to be passionate about horses and the sport of polo, please go to PBSHawaii.org and our Long Story Short archives.  I’m Leslie Wilcox for Long Story Short and PBS Hawai‘i.  Aloha nui.

 

For audio and written transcripts of all episodes of Long Story Short with Leslie Wilcox, visit PBSHawaii.org.  To download free podcasts of Long Story Short with Leslie Wilcox, go to the Apple iTunes Store or visit PBSHawaii.org.

 

People say: You do so much for the Army.  And I said: You know what, when I have a quiet moment, sitting in my backyard at Maunawili, looking up at Mount Olomana, which was one of Nainoa’s favorite places, I just kinda look up there and I says: All right, son, you didn’t think Dad had enough to do?  So, my mission has been to try and make the lives, and the comfort, and the memory of soldiers who put on the uniform every day for us a little bit better.

 

 

Allen Hoe
A Soldier’s Soldier by Emilie Howlett

ALLEN HOE: A Soldier's Story by Emilie Howlett

 

Leslie Wilcox talks story with Allen HoeAs one of more than two million draftees called upon to fight in the Vietnam War, 19-year-old Allen Hoe thought he would serve his time and then his life would resume as normal. In his conversation on Long Story Short with Leslie Wilcox, Hoe reflects on the experiences that turned this local boy into a soldier’s soldier.

 

Trained as a combat medic with the Army, he witnessed some of life’s greatest horrors, and these intense circumstances helped forge a life-long bond with the men he served alongside. The politics and ethics of the controversial war and the reasoning behind what they were fighting to preserve came second to “simply thinking about saving the life of your buddy on your right and on your left” recalls Hoe.

 

LONG STORY SHORT WITH LESLIE WILCOX, Tuesday, November 13, 7:30 pmOn Mother’s Day 1968, one of his greatest fears played out in front of him. While he hung back at headquarters waiting to rejoin the other men in his unit, they were overrun. Hoe lost 18 men from his unit, while several more were captured and held prisoner.

 

While many would seek to close the door on this tragic chapter of their lives, Hoe extended his kindness towards those who felt the loss most profoundly. “I am reflective on the mothers of my men who didn’t make it. And over the past fifty years … that bond I had with their sons, I’ve developed with [the mothers] … It’s always been an obligation to assure their mothers whose sons never came home that their sons are superb young men.”

 

“... my mission has been to try and make the lives and the comfort and the memory of soldiers who put on the uniform every day for us a little bit better.” – Allen Hoe

 

Allen Hoe and the courageous men he had served with.

 

Along with the atrocities he witnessed as a combat medic, the loss of the men he served alongside would follow him long after his tour ended. However, life went on. After returning to Hawai‘i, Hoe found success as an attorney, got married and had two sons.

 

But tragedy struck again. In 2005, his elder son, 27-year-old Army First Lieutenant Nainoa Hoe, was killed by a sniper’s bullet while leading a foot patrol in Northern Iraq. “How our family and how this community responded when our son was killed, it was very eye-opening. You know, having survived combat, having witnessed death, was totally different when that knock came on our door.”

 

While visiting the Vietnam Veterans Memorial in Washington, D.C. on Memorial Day of that same year, seeing the names etched on The Wall, including those of his own men, took on a new resonance. “Looking at all these names, you would think that the world would have come to a complete stop,” Hoe says.

 

Allen Hoe’s own losses inspired a lifelong commitment to healing the wounds of war by supporting those touched by its effects. In June 2018, he was presented with the Mana O Ke Koa award, which honors his unparalleled patronage and his dedication and service toward soldiers, civilians and the U.S. Army Pacific. Hoe has transformed the tragedy in his life into generosity, serving as a guiding light for so many. “So, my mission has been to try and make the lives and the comfort and the memory of soldiers who put on the uniform every day for us a little bit better.”

 

 

Truly A Privilege

 

A Special Message

By Robbie Alm
Outgoing Chair, PBS Hawai‘i Board of Directors

 

Robbie Alm, Outgoing Chair, PBS Hawai‘iAll of us who serve on the PBS Hawai‘i Board feel so privileged and honored to do so. It begins when we walk toward our new headquarters and pass the wall containing the names of all of you who supported the building of our new home. It is at once humbling and inspiring. And we know that we have a responsibility to honor the trust you have given us with your gifts.

 

As we come into and walk throughout the building, we can see – literally through all the glass – a very special and dedicated group of employees making the mission of PBS Hawai‘i live every day. They are the best at what they do and they approach their tasks with aloha for each other and for all of you who do us the honor of letting us become a part of your lives. And it is our privilege to support them.

 

PBS Hawai‘i President and CEO Leslie Wilcox and Board Chair Robbie Alm untie the maile at this morning’s blessing ceremony and donor thank-you event at the public television station’s new home at 315 Sand Island Access Road in Honolulu. Photo: PBS Hawai‘iHawai‘i President and CEO Leslie Wilcox and Board Chair Robbie Alm untying the maile lei at the grand opening of the station’s new home, September 21, 2016.

 

And as we have watched it grow, we have all come to understand how special and really extraordinary HIKI NŌ has become. The young people of Hawai‘i are now storytellers of nationwide fame and distinction, as they win award after award in national competitions. They show the skills honed through diligent and demanding work, under the guidance of our great HIKI NŌ team, including Executive Producer Robert Pennybacker, Managing Editor Sue Yim, Online Editor Nikki Minamoto and Administrative Assistant Susan Waldman. There were those who said that HIKI NŌ would never happen – and if by chance we got a statewide student news network of public, private and charter schools started, it would most certainly fail. Our young people, mostly from public schools, every day prove them wrong.

 

Alm, during his service as Director of the Department of Commerce and Consumer Affairs, with Deputy Director Susan Doyle, circa 1992.Alm, during his service as Director of the Department of Commerce and Consumer Affairs, with Deputy Director Susan Doyle, circa
1992.

 

It is also truly a great privilege and pleasure for all of us to support the very special leadership of Leslie Wilcox. She left the bright lights, fame and remuneration of commercial television, where she was one of the top-rated on-air newscasters in town, to join us, and she has been an amazing force since the day she got here. Her excellence as a journalist made a home in a place that features great public affairs programming (such as Insights), the drawing out of our community leaders (Leslie’s own Long Story Short) and showcasing special stories of Hawai‘i, making sure they are shared across our Islands and with the world. Nothing could speak more strongly to that than the 2015 studio concert of Jimmy Borges and the recent Eddie and Myrna Kamae film festival Leslie was entrusted to present. We are so lucky that PBS Hawai‘i turns out to be her life’s passion and we are in awe as we watch her go, and go, and go.

 

We are privileged to work with a great staff: Ashley Aurellano, Paula Biondine, Emily Bodfish, Linda Brock, Brian Bueza, Forest Butler, Meriel Collins, Alison Crabb, Patty Doo, Todd Fink, Paul Hayashida, Sam Hee, Drew Hironaga, Emilie Howlett, Lori Kaya, John Kovacich, Terry Lonokapu, Jill Loving, Karen Maddocks, Mariko Miho, Nikki Miyamoto, John Nakahira, Lawrence Pacheco, Robert Pennybacker, Liberty Peralta, Michael Powell, Richard Reyes, Jason Suapaia, Christina Sumida, Rianne Tsutsui, Susan Waldman and Karen Yamamoto.

 

And our Board members are so lucky to work as a group that brings great community wisdom, an ethic of laboring for love and for Hawai‘i, and an insistence on quality and passion, that includes: Muriel Anderson, Susan Bendon, Jodi Endo Chai, Keola Donaghy, Matt Emerson, Jake Fergus, Jason Fujimoto, Joanne Grimes, Jason Haruki, Noelani Kalipi, Joy Miura Koerte, Kamani Kuala‘au, Mary Ann Manahan, Bettina Mehnert, Cameron Nekota, Aaron Salā, Julie Shimonishi, Ka‘iulani Sodaro, Candy Suiso, Kent Tsukamoto, Huy Vo, Bruce Voss and shortly, Jim Duffy and Ian Kitajima. It is said that one of the best measures of a person is the company he or she keeps, and this company speaks for itself.

 

For me, this month brings to a close one of the most treasured journeys of my life. Education television was born in the same UH College of Education building in which my parents Dick and Julie Alm taught. As Director of Commerce and Consumer Affairs, the Hawai‘i Public Broadcasting Authority was a key part of my everyday life. And later when PBS Hawai‘i came into being as a community licensee, I joined the Board in 1999 and became Chair, succeeding Neil Hannahs, in 2009. Making sure that we finished the capital campaign, that we built and moved into our new building, and that we set ourselves up in a way that would allow us to lead in this exciting century, were goals for many of us, and certainly for me.

 

And now leadership passes to new and very worthy hands. As part of Hawai‘i Island’s outstanding Fujimoto family, our new Board Chair Jason Fujimoto has the experience, the skills and the youth to lead our great Board and Staff to ever higher levels of achievement and service.

 

It truly has been a privilege and a great honor.

 

Ke Akua pū a hui hou,

Robbie Alm Signature

 

MASTERPIECE CLASSIC
Downton Abbey, Season 6, Part 9 of 9

 

The highest-rated drama in PBS history, this Emmy and Golden Globe award- winning hit drama’s sixth and final season features intimately interlaced stories centered on an English country estate.

 

Part 9 of 9
After six passionate and poignant seasons, the curtain comes down on Downton Abbey. How will fate resolve the stories of Edith, Mary, Thomas, Anna, Robert, Cora, Daisy, Carson, Violet, Isobel and all the other occupants of this unforgettable house?

 

MASTERPIECE CLASSIC
Downton Abbey, Season 6, Part 8 of 9

 

The highest-rated drama in PBS history, this Emmy and Golden Globe award- winning hit drama’s sixth and final season features intimately interlaced stories centered on an English country estate.

 

Part 8 of 9
Two romances get complicated. Molesley and Spratt try out new jobs. Thomas takes a fateful step. Mrs. Patmore provokes a scandal. Isobel puts her foot down.

 

MASTERPIECE CLASSIC
Downton Abbey, Season 6, Part 7 of 9

 

The highest-rated drama in PBS history, this Emmy and Golden Globe award-winning hit drama’s sixth and final season features intimately interlaced stories centered on an English country estate.

 

Part 7 of 9
A car race gives Mary flashbacks. Mrs. Patmore opens for business. Mrs. Hughes tricks Carson. Things get serious for Edith. Robert gets a surprise gift.

 

MASTERPIECE CLASSIC
Downton Abbey, Season 6, Part 6 of 9

 

The highest-rated drama in PBS history, this Emmy and Golden Globe award-winning hit drama’s sixth and final season features intimately interlaced stories centered on an English country estate.

 

Part 6 of 9
The hospital war reaches a climax. Violet goes on the warpath. Daisy tries to foil a romance. Prospects are looking up for Mary and Edith. Thomas feels trapped.

 

MASTERPIECE CLASSIC
Downton Abbey, Season 6, Part 5 of 9

MASTERPIECE CLASSIC: Downton Abbey, Season 6, Part 5 of 9

 

The highest-rated drama in PBS history, this Emmy and Golden Globe award- winning hit drama’s sixth and final season features intimately interlaced stories centered on an English country estate.

 

Part 5 of 9
Thomas makes Andy a generous offer. Spratt rescues Denker. A powerful politician comes to dinner. Robert upsets the family. Mary gets suspicious.

 

LONG STORY SHORT WITH LESLIE WILCOX
Sam Cooke

 

Sam Cooke
Preserving Historical Hawaii

 

A member of one of Hawaii’s most prominent kamaaina families, Sam Cooke shares his passion for the restoration of Hawaii’s cultural and historical treasures. A descendant of early missionaries who established a business empire with Castle and Cooke, Sam, along with his wife Mary, established the Manoa Heritage Center to promote the stewardship of ancient heiau located near their historic home in Manoa Valley.

 

Sam Cooke Audio

 

Download the Transcript

 

Transcript

 

And it was wonderful in the old days. And it’s changed, but… we’ve tried to keep a little of it here, what we’re doing with the Manoa Heritage Center. So we plan to be around for a while.

 

He bears the name of a kamaaina family and he’s related to other prominent families who came to Hawaii when it was still a kingdom. Sam Cooke shares his passion for the preservation of historic and cultural treasures of the islands.

 

 

Next on LONG STORY SHORT.

 

Open billboard: Long Story Short with Leslie Wilcox is Hawaii’s first weekly television program produced and broadcast in High Definition.

 

Aloha Mai Kakou, I’m Leslie Wilcox. Anyone who’s lived in Hawaii for any length of time has seen the name Cooke, with an E, in many contexts. In the islands’ missionary history, in the evolution of big business here, in the many philanthropic gifts supporting the arts, environment, education and human services. Samuel Alexander Cooke is a descendant of early missionaries who taught the children of the alii. Over time, family members established a business empire with the company Castle and Cooke. In more recent years, Sam Cooke and his wife Mary have saved a heiau from development a stone’s throw from their historic home in Manoa. And they’ve created the Manoa Heritage Center to preserve the Kukaoo Heiau and an all-native garden they’ve grown around it. The Cooke family dynasty began with the arrival in the early 1800s of Sam’s great-great grandparents, Juliet Montague and Amos Starr Cooke.

 

He was a teacher, and he wanted to come out and be a missionary in the Hawaiian Islands, but he had to have a wife, and he didn’t have a wife. So the mission said, You can’t go unless you have a wife. So he posted the bonds in the church, and a few weeks later, Juliet Montague joined him as his wife. They were on the boat for a hundred and eighty-eight days, and they arrived in Hawaii in April of 1837. He was asked by King Kamehameha V (sic) to start the Chief’s Children’s School, where he educated… she and he educated all the Hawaiian royalty, including Bernice Pauahi, who was married to Charles Reed Bishop in our house, which is still behind the Kawaiahao Church.

 

With the evolution of Hawaii, there’s new thinking about missionary contributions. You know that expression about missionaries came here to do good, and they did very well.

 

M-hm.

 

What are your thoughts about that?

 

Well, it all depends who you’re talking about. James Campbell wasn’t a missionary, and he did the best. But the missionaries did start the industry with sugar, which they started, and then it grew to be much bigger than the missionaries. And most of the people that ran those industries, sugar and pineapple, were not missionaries, they were brought in from the continental United States. And they’re the ones that really put those companies on the map. But now, they’re all gone. Except for Alexander and Baldwin and the Bank of Hawaii, there’s no large missionary engendered company left here in the State of Hawaii.

 

When your original forebear came here, do think  Christianity or education was foremost in his mind?

 

 

Both; both, yeah. And then the mission went broke. And so they couldn’t afford to keep the missionaries out here, so they said, We’ll take you home back to the East Coast, or you can stay in Hawaii. And that’s when Amos Starr Cooke and Samuel Northrup Castle started a ship chandler they called Castle and Cooke.

 

It did ag, it did shipping.

 

It did ag, it did…

 

Pineapple

 

-shipping, it did construction. And in its heyday, it just did about everything that had anything to do with land, and agriculture.

 

What are some of the other things your family got involved with?

 

My great-grandfather, Charles Montague Cooke, married Anna Charlotte Rice Cooke, or Anna Charlotte Rice. And she’s the one that started the Academy of Arts. And then so there’s where I get my Rice blood. And I get my Lyman and Wilcox blood from my mother, who was from Kauai, and whose great-uncle, G.N. Wilcox, founded Grove Farm. My grandfather, who built this house, was a scientist. He was a malacologist; he studied Hawaiian land shells. He was a PhD at the Bishop Museum for forty years; became very famous. And then my Uncle George, who was his brother, was a rancher on Molokai. My family had the Molokai Ranch, and George Cooke was the head of it. It was a cattle ranch. It was big; it was about seventy-seven thousand acres. But the thing that made it click was the pineapple leases. We leased to Castle and Cooke, and we leased to California Packing Company, and McNeill and Libby. And pineapple, I think, was great, but in about 1985, we lost the pineapple, because they all went to the Philippines and to Taiwan. So our income just dried up. So in 1986, we sold the ranch to a New Zealander by the name of Birely, and we haven’t had anything to do with it since then. It’s been very controversial, but we’ve exited the ranch, and its been the Birely’s that have had all the trouble, because they’ve tried to run it absentee. That doesn’t work.

 

It must have been hard to give up the ranch, although-

 

It was.

 

it was a financial decision, right?

 

Well, it’s a financial disaster. M-hm.

 

But it did support, in good times, many people.

 

Oh, in good times the pineapple lease, it was a wonderful place. It had deer, it had fish, and it had everything, and we could go there and have fifty thousand acres to ourselves to go do what we wanted to do. I took all my buddies up there; Curtis Iaukea and Gilbert, all those guys. They loved the place. M-hm.

 

Sam Cooke spent many summers on Molokai, but he grew up on the same Manoa Valley land where he continues to live. After majoring in hotel management at Cornell University, he had every intention of pursuing a career in the hotel industry and took a job with Interisland Resorts on Kauai. But with marriage to the woman he’d met when they were children and with the demands of a new family, he redirected his profession, becoming a stockbroker and senior executive with Morgan Stanley here. One of his clients was the late great Harry Weinberg, who was famously frugal and exacting. Sam Cooke had a long career in a competitive industry. Even back at Punahou School, he didn’t shy away from the fray.

 

Who’d you play football with?

 

Oh, with guys like Gilbert Ane, and Curtis Iaukea, and-

 

All the small guys.

 

-all the-

 

[CHUCKLE]

 

All the small guys. I wasn’t any good, but I made the team.

 

[CHUCKLE]

 

[CHUCKLE]

 

What were they like – what was Curtis “The Bull” Laukea, the future wrestler, like in high school?

 

Good guy; really good. Still is a good guy. I mean, very successful wrestler. I could never believe that he would do what he did, but he did, and he became very good at it.

 

[CHUCKLE]

 

He was always the bad guy-

 

The bad guy.

 

-on the air, but the-

 

Yeah.

 

-nice guy behind the scenes.

 

Right. And he lives up in Papakolea now. I’ve seen him occasionally. Gilbert Ane was a terror.

 

M-hm.

 

 

Boy, he was a hell of a football player. And Danny, his brother, and David, his brother, and Harry Pacarro, and A.K. Espinda, and Punahou was always thought of as a Haole team, but I think there was only one Haole on the team, and that was me.

 

[CHUCKLE]

 

Well, tell me; I noticed your grandfather had a very vibrant scientific career, your father was in the finance business, trust, you worked for decades in hotel and for Dean Witter and Morgan Stanley.

 

M-hm.

 

Couldn’t you all have just said, I’ve got a trust fund, I have wealth, no need.

 

Never happened that way.

 

You could have, though.

 

Well, yeah. I’ve had cousins that did that, but not me. Mm-mm; mm-mm.

 

What got you up every morning to go to work?

 

Oh, I don’t know. I guess I wanted to prove myself. I’ve never been that way. Neither has my wife. So we’ve been very, very active.

 

So you made money, and now you spend your life giving money.

 

We do.

 

In your philanthropic-

 

We do.

 

-efforts.

 

We do here, but we do. We do a lot of philanthropic work. M-hm.

 

Did you always know you were gonna do that?

 

No; no. I thought I was gonna be a hotel manager.

 

Mm.

 

[CHUCKLE]

 

Lots to eat, always have a bed.

 

As a businessman, when you look at people applying for grants, you probably have a different eye than many people do.

 

Well, we do. And then you really get to know who your friends are.

 

‘Cause you say no.

 

[CHUCKLE]

 

You have to say no every once in a while. At Cooke Foundation, we hire the Hawaii Community Foundation to research all the grants. And so we have a pretty good idea of who we want to give our money to. We do twice a year. You’re not taxed when you’re an eleemosynary foundation; you don’t pay taxes. So the IRS takes a very, very strong look at how you give your money away. And if you start giving it away to people that don’t really qualify, you could lose your tax status. And so we’re very careful about that.

 

Sam Cooke is an avid collector of Hawaiiana that includes paintings, rare books and artifacts. His ongoing philanthropic efforts reflect the Cooke family tradition of sponsoring arts and preserving the cultural heritage of the islands.

 

Well, principally, my great-grandmother started the Honolulu Academy of Arts. And I was the chairman of the Academy of Arts for sixteen years, and got to know most of the major art people in the United States. And I’ve been told by many of those people that the Honolulu Academy of Arts is probably the finest small museum in America. So it’s a real treasure.

 

It’s such a legacy, but I sense that for you, it wasn’t a family obligation. You love art.

 

Yeah, I love art. And it wasn’t an obligation, but it was a very necessary part of the soul of Honolulu, I think. That without it, we’d be wanting. It’s a beautiful museum.

 

Has it faced challenges that threatened it along the way?

 

Yes, mostly monetary. My great-grandmother founded it, endowed it, built it, and left her collection there. And then she moved up to where the Contemporary Art Museum is; that was her home. But the challenges that the Art Academy really faced were expansion and growth, and collecting.

 

I believe you helped to raise, what, fifteen million dollars-

 

Thirty.

 

-for a wing. Thirty?

 

M-hm.

 

And which people said at the time couldn’t be done.

 

Right; right. M-hm.

 

How’d you do it?

 

Mostly on the mainland, and tremendous support from the local people here in Hawaii, especially the foundations and the corporations. But there’s just not that kind of money here in Hawaii, so we went to the mainland and got support from the Henry Luce Foundation, and all sorts of foundations all over the country that had been here and seen the Academy, knew what we were talking about, and were very happy to help us out.

 

What kinds of art do you like the best?

 

Hawaiian.

 

I know – Hawaii?

 

Yeah. Kind of things you see on my wall. M-hm.

 

I see lots of books about voyages-

 

Voyages.

 

-to the islands.

 

M-hm; m-hm. It’s a fascinating story. The books start with the collection of Cook, and go all the way through the end of the 20th century. After Cook discovered Hawaii, all the European nations came here, and they all published voyages and did beautiful atlases with drawing. Of course, there was no photography in those days, so they all brought artists with them, and the artists did beautiful drawings.

 

And why are you fascinated with those voyages?

 

Well, that’s when we all got started, I guess. It really brought Hawaii to the fore in the world. I mean at one particular time, Hawaii was the most literate country in the world; everybody could read.

 

After the missionaries came.

 

After the missionaries came.

 

But Hawaiians were literate in their own language too.

 

Yes, they were; they were, very. They had a tremendous culture. And on the property here, we have a Hawaiian heiau, which we have rebuilt, and it’s a beautiful piece of work, gorgeous piece of work.

 

So you live in a nice suburban area of Honolulu, with a heiau in your back yard.

 

M-hm.

 

How did that happen?

 

Interesting. My grandfather moved here in about 1901. He built the house in 1911. There was a heiau out there, and the architects wanted to put the house where the heiau was, because that’s where the best scenery was. He said no; no. His life had been saved by a Hawaiian, so he was very, very true with the Hawaiian people. And he would not let them build a house on the heiau. So he built a fence around the heiau, and it stayed that way up until 1994 when Mary and I bought it from a developer, and saved it and then rebuilt it. So we brought a stonemason from the Big Island by the name of Billy Fields, who is an outstanding mason, and he built it and put it back in shape.

 

And that’s, I believe, an agricultural heiau.

 

It’s an agricultural heiau; right, m-hm.

 

What’s the story about it, and what’s its name?

 

Well, it’s name is Kukaoo. And there are all sorts of interpretations of Kukaoo, but the one we like the most is of a chief who stood on the mountain in back of us, and threw his oo stick, and it landed there. And that’s where they built the heiau.

 

Standing oo, step- 

 

Standing oo. And oo is a digging stick. And Kenneth Emory, who was the archaeologist at the Bishop Museum, did a radiocarbon test out there, and with some ashes, and determined that it was very, very old, perhaps back to the Norman conquest, which was 1088. So it’s been there for a long time. Billy found three different stages of rebuilding in the heiau, so it had been rebuilt. And then we dedicated it in1994 with Bill Kaina, who was the kahu at Kawaiahao Church. And he came up here; he had a very difficult time, giving a little talk about the heiau, because the mana was coming from the heiau bothering him. But he got through it. [CHUCKLE] It’s a beautiful heiau. And it’s the only one on this side of the island, and it’s the only one I’ve seen that has been restored this way.

 

So you mentioned that a family member had been – his life had been saved by a Hawaiian woman, and he was very indebted to the Hawaiian people as a result, and the Hawaiian culture.

 

 

M-hm.

 

This was your grandfather.

 

It was my grandfather. He was born down at Kawaiahao Church, and he was not expected to live. He was two and a half pounds, and Western medicine couldn-t take care of him. So my great-grandfather went to Hilo, and got a kahuna lapaau who was named Kaaina. Brought her to Honolulu, and she saved the baby; he lived. And she wrapped him in kukui leaves, and massaged him with lomi lomi, and did all the old things, and he lived. And so he took care of her for the rest of his life. And I have an obituary that talks about her when she died. She was a hundred and fourteen years old when she died. And she went on to say that she had been a kahuna lapaau and had saved many lives. And she never married, but she had a son, a Haole boy by the name of Montague Cooke. So lots of the old-timers around here still remember her. My mother was very perplexed by it, because she was very striking looking and had blue eyes, for a Hawaiian. And her whole name means, the last supper. Because she was born in Kona on the same day that Kamehameha died in 1819. And her parents were converted to Christianity, and when she was born, they named her this big, long Hawaiian name, that meant, the last supper. M- hm. He would take care of her. It was like a mother and a son relationship.

 

The name of your home is Kualii?

 

Kualii; right. Kualii was the chief who lived here, and that’s his heiau out there. And Kualii is a big name; it’s like Smith in the English name. There are Kualiis everywhere, I found out afterwards. [CHUCKLE] But he was a chief, and he was the chief of Oahu, a very powerful one. It’s is a great house. It was the first house of its kind in the valley. And there was a dairy up here. My grandfather’s hobby was dairy, so he got a tiny dairy. It went from Cooper Road there, all the way up to Waioli Tea Room. But after the war, people moved into the valley, and they objected to the smells and the sounds of the dairy, so we moved the dairy over to where Olomana Estates is now. And then we started selling off the property. But this has a great, great history, this house. And when Pearl Harbor was bombed in 1941, all the able-bodied people went to Pearl Harbor to help, but the women and children and the older people came here. There must have been between eighty and a hundred people in this house, and they were sleeping on the floor, and upstairs; there are four stories.

 

Here, because it’s stone.

 

It’s stone; it looks like it could handle itself. But a word went out from the authorities that the water had been poisoned, so we filled our bathtubs up. We have three big porcelain bathtubs upstairs. We filled them up with water, and we drank out of the bathtub for three days. So it has many, many fond memories. We had bomb shelters out here. And I think growing up here in the 50s, we all – and the neighborhood gang would come here and play football and baseball, and there was a lot more property in those days, so we had the room to do things like that.

 

How much more property did you have then?

 

Well, we had quite a bit more property. I think the place was about eight acres. Now, it;s three. And it was all the way down to the Manoa Road.

 

And the stones, which surround you, are neighborhood stones.

 

Yeah. They were quarried here, right where the circle is out in front of the house. And when Mary and I moved in here in 1970, we really had a feeling that we wanted to save the place. Because I think my father, who lived on Maui, would have knocked it down and subdivided, and sold the property off. So we had to bite the bullet, and I made a deal with him, and the house was in terrible shape, awful shape. But over the years, we’ve painted and used chewing gum and everything else I can

 

[CHUCKLE]

 

The home is now on the National Register of Historic Places. Sam and Mary Cooke established the non-profit Manoa Heritage Center and the Kualii Foundation to secure the future of the home and the nearby heiau site. As long as the couple lives here, the house is not open to the publicbut the heritage center offers guided tours of the heiau and native garden.

 

And I’ve opened the garden up, not the house, but the garden to tours; small tours. And we’ve done’we do about three thousand kids a year. And I think we can do a little bit more than that, but we’re growing, and we’ll get there soon. But we can’t do much more than that, because of our size.

 

You’ve restored the heiau, and youve replaced the original plantings with all native Hawaiian- Yes. –plants.

 

Right; m-hm.

 

What have you learned about the Hawaiian plants and-

 

Well, when we-

 

-in the process?

 

-first started doing it, we had to get special permits from the State to plant these plants, because they were endangered, and they were protected. And so Mary, my wife [CHUCKLE], had a lot of sessions with the State in bringing monroidendron trees in, and like all these other things that we put in the garden. Now, you can buy them at Home Depot. [CHUCKLE] But we have some very unique things out there that we got from Kauai.

 

Like, for example?

 

Well, the monroidendron; it’s such a rare tree. It grows on Kauai. It’s such a rare tree that we’ve forgotten the Hawaiian name; nobody knows the Hawaiian name for it.

 

I heard there’s one out there that – there’s nothing left in the natural to pollinate it.

 

Oh, yeah; that’s the brighamia. It looks like a cabbage on the end of a big stalk. And that was found on Kauai and on Molokai, and there was a special insect that pollinated it. And that insect has become extinct, and it can’t pollinate itself by itself, so it has to be pollinated by man. There’s the native Hawaiian hibiscus, which is the State flower, the yellow one.

 

M-hm.

 

And then there’s Hawaiian cotton out there. And then there’s akia, the fish poison plant.

 

How does that work?

 

You take the leaves and you make it into a poultice, and then you throw it in the tidal pools. And it stuns the fish, and the fish come floating up. And then you grab them and put them in a bag. I’ve never tried it, but it’s something that does work. Well, there’s about sixty different plants out there, all sorts of exotic, rare Hawaiian plants that are kinda fun to see, because you don’t ever see them anywhere. And one of the things that has been so interesting is that when the native people come here to see the heiau, they’re much more interested in the plants than they are in the heiau.

 

What do you think happened in that heiau? I mean, did you know, right now, it’s an empty enclosure.

 

Right; right.

 

What was there? Was anything in there before?

 

We don’t really know. We speculate that there were some images in there. There was one person who came out to the University of Hawaii who said it was built much like that big stone thing in England called Stonehenge, where it lined itself up to the solstice, the different seasons.

 

M-hm.

 

And that you could see the sun coming over this part of the heiau, and that’s where this particular plant was planted.

 

Oh; that would be so nice to know.

 

Yeah; it would be nice to know. But there’s nobody to tell us. We have a protocol committee, different local people who come and advise us about once every other year. And we decided that we weren’t going to let anybody walk in there, out of respect to the place. And if you know a chant, it’s very appropriate to chant. We’ve had many chanters out there. But it’s very refreshing to take these kids who are studying Hawaiian history, and all of them know chants, and so they come out there and they do their chant at the heiau. It’s just chicken skin. I mean, it really is. I was terrified that we’d have some sort of reaction from the Hawaiian community, but we have nothing but positive vibes from them. And we’ve tried to include them. Our board has several native Hawaiians on it, and Nathan Napoka has been very, very helpful to us. A wonderful guy. So I think we’re doing the right thing. I mean, I think my kids think I’m crazy, because they don’t get it.

[CHUCKLE]

 

They’re not into the Manoa Heritage Center?

 

Not really. Cathy is the one that lives here, but they’ll be okay; they’ll be okay. M-hm. They’re not setup such that they could take care of books like this, and paintings, and that type of thing. And we’re going to leave an endowment, hopefully, that will take care of it for the foreseeable future, but these places always need more, more, more, more, more.

 

Have you ever considered moving away?

 

No; I would never move away. I would never move away. We go on trips, and it’s always nice to come home.

 

And you’ve never moved away from the property? 

 

No.

 

-where your family has lived for generations.

 

Right; right. No; no, we’re gonna stay here.

 

Kukaoo was restored in 1993 and survives as the last intact Hawaiian temple in the greater ahupuaa of Waikiki.

 

That’s right, Waikiki. The Cookes- Manoa Heritage Center gives tours of the heiau and native garden by reservation only. Our guest Samuel Alexander Cooke could have let his family achievements support him, but instead, he enjoyed a long successful business career and created his own legacy of philanthropy in Hawaii.

 

Mahalo, Sam Cooke for sharing your “Long Story Short,” and thank YOU for listening and supporting PBS Hawaii. I’m Leslie Wilcox. A Hui Hou Kakou.

 

For audio and written transcripts of this program, and all episodes of

Long Story Short with Leslie Wilcox, visit pbshawaii.org.

 

We were very much involved with Molokai. We did a lot of fishing. My dad caught the world’s record oio, bonefish.

 

Bonefish.

 

And he also held the marlin record that he caught at Lanai. And Mother held the world’s record in the Allison tuna. And so when Dad died, he went in the Fishing Hall of Fame with Herbert Hoover; he was a very famous fisherman. So most of my time was fishing, when I was a kid. I didn’t-I don’t play golf; never been on a golf course. I miss the old ways; I do, I really do. I remember going to luaus at Laie, and seeing my father’s great friend, Haumana Kalili, in a tug-of- war, pulling six Filipinos. I mean, it was this incredible background. Going fishing with him, and going to the koa and praying in Hawaiian, and going out and catching akule by the boatload. And you don’t see that anymore. Mm-mm. We’d go to lobster holes, and out of maybe thirty lobsters in the hole, we’d take two, all we could eat. Now, you go out to the lobster hole, there’s nothing left.

 

NA MELE
Queen Emma – Her Life and Legacy

 

Na Mele: Queen Emma – Her Life and Legacy features traditional Hawaiian chants and songs created to honor and record the life of Queen Emma. The Queen Emma Summer Palace in Nuuanu serves as center stage. The Summer Palace, or Hānaiakamalama (nurtured by the moon) as it’s also known, was a place of respite for Queen Emma and her husband, King Kamehameha IV. Despite the tragedies in her life – the loss of her 4 year old son, Albert, and her husband, King Kamehameha IV – Queen Emma had the strength and fortitude to establish institutions that continue to serve Hawaii today: The Cathedral of St. Andrew, The Queenʻs Medical Center and St. Andrewʻs Priory School for Girls.

 

In the hula performance of “Aia I Nu‘uanu,” the dancers and kumu hula chant, “Aia ka nana i Nu‘uanu, I walea ‘Emalani i laila, Ka ‘olu kohai i ka makani” (There is the beauty at Nu‘uanu, such that Emalani is at ease there, comfortable, swaying in the breeze). The halau dances with the Summer Palace quietly looking over them, as if the Queen herself is observing and appreciating their hula. Also performing hula about Queen Emma and the places she loved is Hālau Haʻa Hula ʻO Kekauʻilani Nā Pua Hala O Kailua and a halau made up of students from St. Andrew’s Priory School for Girls. The Emmalani Serenaders also lend their voices to praise Queen Emma, performing Kaleleonālani and Hole Waimea.

 

Leslie Wilcox, PBS Hawaii President and CEO, will host the program, alongside special guests from the Daughters of Hawai‘i, St. Andrew’s Priory, and The Cathedral of St. Andrew.

 

Original air date: Sun., June 7, 7:00 pm