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NĀ MELE: TRADITIONS IN HAWAIIAN SONG
Nina Kealiʻiwahamana & Bill Kaiwa

NĀ MELE: Traditions in Hawaiian Song - Nina Kealiʻiwahamana & Bill Kaiwa

 

The magic of Hawaii Calls is revived when Nina Kealiʻiwahamana joins Bill Kaiwa for some traditional Hawaiian classics in this special encore of a classic NĀ MELE. Nina and Bill are joined for this journey down memory lane by Martin Pahinui on bass, and Steven Hall and George Kuo on guitar.

 

 

 

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
Jerry Santos

Na Mele: Jerry Santos

 

When we hear his distinctive voice, there is no mistaking the music of Jerry Santos. And when we listen to his lyrics, there is no mistaking his connection with the memories and emotions of our own lives. In this NA MELE, Jerry has woven together a story of home. “The idea of home was the driving force for the content. Most of the songs speak to the idea of ku‘u home, a personal, endearing way to refer to our place in the world. It becomes ku‘u because we attach to it our familiarity, what the wind and the rain are like, how the mountains smell, what is in the river, who our people are, our attachment to them and the things we have learned by being of a place,” Jerry says.

 

Jerry mixes “All of That Love from Here” with his signature song, “Ku‘u Home ‘O Kahalu‘u,” as well as “Tewe Tewe,” a playful song that pays tribute to the slippery o‘opu. He also performs “Seabird” and “Ku‘u Makamaka,” among other songs. Joining Jerry are musicians Kamuela Kimokeo and Hoku Zuttermeister.

 

 

 



NĀ MELE: TRADITIONS IN HAWAIIAN SONG
Hūʻewa

NA MELE: Hū‘ewa

 

When you hear their name, you can’t help but smile. The young trio Hū‘ewa is comprised of Kupu Dalire-Na‘auao, Kekoa Kane and Kahi Lum-Young.

 

“‘Hū’ is to hum or to make sound, to make music. And ‘ewa’ is to go off course or to find your own path,” explained Hū‘ewa member Kane. “…that’s what we do with our music…we make music on our own path, on a different style.”

 

Preview

 

The trio performs songs including “Kaulana Ni‘ihau,” where they’re accompanied by the dancers of Hālau Ka Liko Pua O Kalaniakea; and a medley consisting of favorite songs of each member: “Kaulana Moloka‘i,” “Pauoa Liko Ka Lehua” and “Meleana Ē.” Dalire-Na‘auao explains, “The Hawaiian music that we chose, the type of songs that we chose…we just like to pull things from back in the day.”

 

 

 

PBS HAWAI‘I PRESENTS
Keola Beamer: Mālama Ko Aloha (Keep Your Love)

PBS HAWAII PRESENTS: Keola Beamer: Mālama Ko Aloha (Keep Your Love)

 

This program tells the story of Keola Beamer’s journey through song. The respected composer and slack key guitarist partners with an array of musicians, including Native American flutist R. Carlos Nakai, American jazz pianist Geoffrey Keezer and Hawaiian vocalist Raiatea Helm. These collaborations demonstrate how one can retain cultural identity while openly sharing with others to create something new – a global art form. This multicultural exchange reaches its zenith when Beamer performs a Hawaiian-language version of John Lennon’s “Imagine,” with musicians playing traditional Hawaiian, Chinese, Japanese, Australian, Classical European and American Jazz instruments. In another particularly moving segment, Keola accompanies his wife Moanalani Beamer as she performs a hula as a quadriplegic woman who magically regains use of her limbs in a dream.

 

 

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
The Leo Nahenahe Singers

The Leo Nahenahe Sisters on Na Mele

 

“Leo nahenahe” is Hawaiian for “soft and sweet.” Now in their eighties, The Leo Nahenahe Singers celebrate over 50 years of performing together on this episode of NĀ MELE. Ethelynne Teves on guitar, Noelani Mahoe on ukulele and Mona Teves on upright bass accompany their instruments with their soft and sweet vocals. These Nā Hokū and Hawaiian Music Hall of Fame honorees perform Hawaiian classics like “Hanohano Wale No” and “Koni Au I Ka Wai.”

 

Preview

 

 

 

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
More! Ledward Kaapana and Family

 

Ledward Kaapana remembers his Uncle Fred Punahoa playing the song “Radio Hula” in Kalapana: “In the morning, like one, two o’clock in the morning. In Kalapana, it’s so quiet, so… you know, and it’s dark, and so, he used to just sit outside on the porch, and play his guitar. I don’t know if you ever experienced sleeping…and hear one guitar just playing sweet music that just wake you up and like, ‘Oh, so sweet,’” Kaapana remembers. “Radio Hula” is one of the songs that Ledward Kaapana, along with his sisters Lehua Nash, Rhoda Kekona, and Lei Aken play in his Kaneohe garage on a rainy evening. They also share an energetic slack key performance of “Kuu Ipo Onaona,” and Ledward honors the late Dennis Kamakahi with “Kokee.”

 

 

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
Peter Medeiros

NA MELE Peter Medeiros

 

Slack key artist Peter Medeiros, accompanied by guitarist Josh Silva and bass player Nate Stillman, presents a fun evening of traditional slack key. Joining the trio are the dancers of Pua Ali‘i ‘Ilima, led by kumu hula Vicky and Jeff Kānekaiwilani Takamine. Songs performed include “Ulili E,” “He‘eia,” “Ke Ala O Ka Rose” and “Kananaka.”

 

 

 

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
The Royal Hawaiian Band

NA MELE Royal Hawaiian Band

 

Founded in 1836 by King Kamehameha III, the Royal Hawaiian Band has
provided audiences the world over with a continual connection to Hawai‘i’s
royal heritage. During this vintage concert set on the grounds of historic
Iolani Palace, Bandmaster Aaron Mahi pays tribute to one of his predecessors,
Henry Berger, Royal Hawaiian Bandmaster from 1871 to 1915 and sometimes called
the “Father of Hawaiian music.”

 

 

NĀ MELE
George Winston (Plays Slack Key)

NĀ MELE  George Winston (Plays Slack Key)

 

This vintage episode presents a rare solo slack key concert with George Winston, best known the world over for his evocative piano music, musical interpretations of the ever-changing seasons of his childhood Montana home. But ki ho‘alu, slack key guitar music, has been his passion for many years. In this NĀ MELE classic, Winston performs his “Montana-ized” versions of such slack key classics as: “Sweet Lei Mamo” by Charles Hopkins; “None Hula” by Lena Machado; and Leonard Kwan’s “Nahe Nahe.”

 

 

 

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