NPR

FRONTLINE
Business of Disaster

 

Disasters are big business. Follow an investigation with NPR into who profits when disaster strikes. The film focuses on 2012’s Hurricane Sandy: the thousands rendered homeless, the agencies that were supposed to help and the companies that made millions.

 

FRONTLINE
Politics, Poverty and Profit

 

This episode examines the politics, profits and problems of an affordable housing system in crisis. Investigate the billions spent on housing the poor and why so few get the help they need.

 

It Just Doesn’t Add Up – Federal De-Funding of Public Media

Special Message


Kent K. Tsukamoto, Treasurer, PBS Hawai‘iI’m a numbers guy. It’s my job.

 

As a longtime CPA and as managing partner of one of Hawai‘i’s largest locally owned financial services companies, I know that numbers tell stories, too.

 

So, with the White House handing Congress a proposed federal budget that would de-fund the nonprofit Corporation for Public Broadcasting, I took a closer look at the numbers in the current federal investment.

 

$1.35. That’s the cost of public broadcasting per citizen per year – less than the price of a manapua.

 

For years now, Republicans and Democrats have vigorously argued and then come together in a bipartisan investment to give public media $445 million a year, with most of the money going directly to support free, noncommercial, locally run PBS television stations and NPR radio stations across the country.

 

$445 million is 1/100th of 1 percent of the nation’s budget, amounting to $1.35 per citizen per year. The national PBS folks point out that’s less than a cup of coŸffee. Here, we like to say: That’s less than the price of a manapua – and a small manapua at that.

 

Most years for PBS Hawai‘i, our part of the national funding amounts to 15 percent, or about $1 million, of our annual revenues. We use the federal investment as seed money to attract contributions from the private sector – “viewers like you.” Individuals, businesses and charitable foundations pitch in. It’s these private gifts and grants, fanned by the spark of federal funding, that provide the bulk of our statewide programming and outreach.

 

Among the oŸfferings that the federal investment helps us acquire: curriculum-based PBS KIDS programming that boosts our children’s learning; the science show NOVA; the investigative program Frontline; and performing arts on Great Performances. The federal funding also helps to create shows like Na Mele, the only weekly television show featuring traditional Hawaiian music; and Insights on PBS Hawai‘i, the only live hour-long interactive public affairs show on weekly statewide television.

 

As a lean local nonprofit that’s able to leverage the federal money and also scale our services by sharing program costs nationally in public media, PBS Hawai‘i has a track record of delivering quality shows at very reasonable costs.

 

To guard against political interference in program content, Congress has provided two-year “forward funding” as a firewall. All of this computes to a successful public-private partnership.

 

As Neil Shapiro, who heads WNET in New York, observed: “It’s not like cutting this would have any appreciable effect on any taxpayer across the country, but losing PBS would.”

 

In my view, this is especially true when it comes to the value of PBS’ in-depth news coverage, arts and culture, a safe haven for keiki and a trusted place to air diffŸering perspectives on local issues.

 

It’s a privilege to volunteer my time as Treasurer of PBS Hawai‘i’s Board of Directors – because I want to support a community treasure that is efficient and collaborative in costs, while providing a significant multiple in the value returned to the people of Hawai‘i.

 

I see how the federal investment enriches the people of Hawai‘i and keeps our stories alive, our music playing and our home a better, safer place. The numbers tell the story.

 

If you’d like to help support public media organizations like PBS Hawai‘i:

  1. Contact your Hawai‘i Congressional delegates.
  2. Go to ProtectMyPublicMedia.org and sign a petition.
  3. Continue to pitch in with your private dollars as you can.

Thank you

 

A Threat to Public Broadcasting’s “Spark”

Protect My Public Media

If you’d like to help support public media organizations like PBS Hawai‘i:

  1. Contact your Hawai‘i Congressional delegates.
  2. Go to ProtectMyPublicMedia.org and sign a petition.
  3. Continue to pitch in with your private dollars as you can.

Thank you


Leslie Wilcox, President and CEO of PBS HawaiiAt first, when Ronald Reagan launched his Presidency in 1981, he didn’t like the idea of federal monies going to fund PBS and NPR stations across the country.

 

Then he saw how public-service media stations leveraged a relatively small amount of federal funding to gain private donations. One federal dollar might turn into, say, eight dollars, with citizens, businesses and charitable foundations adding the weight of their support.

 

“Government should provide the spark and the private sector should do the rest,” President Reagan said.

 

We at PBS Hawai‘i believe this is a good public-private partnership, centered on education, public safety and civic leadership. Last year, 9.5 percent of our revenues came from the federal investment.

 

Now comes the Trump Administration, signaling its intention to “privatize” – meaning de-fund – the Corporation for Public Broadcasting, the private nonprofit that distributes funds to public media stations. Other Administration targets are the National Endowment for the Arts and the National Endowment for the Humanities.

 

As I write this, two weeks before publication, I’m getting ready to go to Washington, D.C. for a national public media summit, at which attendees will seek to determine President Trump’s plans. Is he really going to wage a battle against federal seed money for public broadcasting?

 

The public broadcasting community says the notion of eliminating the federal funding in its mission is “nothing new.” It points out that similar ideas have been “soundly rejected on a bipartisan basis.”

 

According to the industry publication Current, the chair of a key House Appropriations subcommittee, Rep. Tom Cole (R-Okla.), predicts that such a move would fail because “there is a strong constituency for public broadcasting in both the House and Senate.”

 

Indeed, strong bipartisan support usually results in an appropriation of about $1.35 per year per American. Still, leaders of public broadcasting say they must take funding threats seriously. They’re asking to talk with Administration officials, and station general managers from all over the country are taking their case to Capitol Hill.

 

PBS Hawai‘i’s Board of Directors already has written to Hawai‘i’s Congressional delegates.

 

However, America’s Public Television Stations (APTS) isn’t calling out and mobilizing citizens at this time. Without a fleshed-out proposal from the Trump Administration, leaders are monitoring the situation closely. We are urging viewers to register your support at protectmypublicmedia.org.

 

Aloha a hui hou,
Leslie signature

 

FRONTLINE
Out of Gitmo

 

Produced in collaboration with NPR, FRONTLINE presents the dramatic story of a Gitmo detainee released from the controversial U.S. prison after 14 years, and the struggle over freeing prisoners once deemed international terrorists. Also in this hour, FRONTLINE works with Retro Report to explore the untold history of the Guantanamo Bay prison.

 

PBS NEWSHOUR AND NPR
REPUBLICAN CONVENTION COVERAGE, Day 4

 

DAY 4
Tune in for live gavel-to-gavel coverage of the 2016 Republican National Convention in Cleveland. PBS NewsHour and NPR join forces, marking the first time the two public media organizations are collaborating on convention coverage. Gwen Ifill and Judy Woodruff­ will co-anchor. NPR host Rachel Martin will be reporting from inside the hall with the NewsHour’s Lisa Desjardins and John Yang and NPR’s Sue Davis. They will also be joined by NPR’s Mara Liaisson, Ron Elving and Domenico Montenaro, as well as NewsHour regular contributors, including syndicated columnist Mark Shields, New York Times columnist David Brooks and Cook Political Report’s Amy Walter. Coverage will extend online and on social media to include live streaming of stage speeches and floor interviews.

 

This program will encore at 6:30 pm.

 

Pulling Out All the Stops

 

This program chronicles the competition onstage and behind-the-scenes of 10 extraordinary young organists from the United States and Europe vying for first place in the first International Longwood Gardens Organ Competition. None of Longwood’s 10 finalists has a chance to practice on the Aeolian Organ before arriving at the competition. Each has only five hours to prepare to play on one of the world’s most complex instruments, with its 10,010 pipes, 237 stops, five 32-foot pedal stops and four keyboards.