Renoir

FAKE OR FORTUNE?
Lucian Freud

 

Beyond the genteel galleries and upmarket auction houses of the art world lies a darker dimension: a world of incalculable wealth, social ambition, and occasional subterfuge. Detective Philip Mould, journalist Fiona Bruce and a team of scientists investigate a new batch of potential fine art forgeries.

 

Lucian Freud
The team of art dealer Philip Mould and journalist Fiona Bruce are presented with a portrait by Lucian Freud that potentially dates back to the very beginning of the artist’s career. Can it be authenticated?

 

 

FAKE OR FORTUNE?
A Mystery Old Master

FAKE OR FORTUNE? A Mystery Old Master

 

Beyond the genteel galleries and upmarket auction houses of the art world lies a darker dimension: a world of incalculable wealth, social ambition and occasional subterfuge. Detective Philip Mould, journalist Fiona Bruce and a team of scientists investigate a new batch of potential fine art forgeries.

 

A Mystery Old Master
In this episode we are faced with a double mystery. A church in the heart of the Lancastrian countryside has been home to the work of a 16th century Italian Old Master for more than 200 years. The congregation has contacted them to help solve a riddle which has been puzzling everyone. Who painted this huge picture and just how did it find its way into a church once patronized by the famous Bronte sisters?

 

 

FAKE OR FORTUNE?
Renoir

FAKE OFR FORTUNE?: Renoir

 

Beyond the genteel galleries and upmarket auction houses of the art world lies a darker dimension: a world of incalculable wealth, social ambition and occasional subterfuge. Detective Philip Mould, journalist Fiona Bruce and a team of scientists investigate a new batch of potential fine art forgeries.

 

Renoir
Art detective Philip Mould and journalist Fiona Bruce try to prove a painting hanging in a Welsh Castle is by celebrated French Impressionist, Pierre Auguste Renoir. For 50 years the painting has been dogged by doubt and two powerful art world authorities can’t agree whether it’s genuine or fake. Philip travels to Berlin to see if cutting-edge technology can determine whether the pigments in the painting match up to those listed by Renoir himself.