skills

The Evolution of HIKI NŌ
Cover Story by Robert Pennybacker

 

COVER STORY: The Evolution of HIKI NŌ by Robert Pennybacker - Director, Learning Initiatives, PBS Hawaiʻi

 

Students from O‘ahu’s Ka‘ala Elementary School in Wahiawā

Students from O‘ahu’s Ka‘ala Elementary School

 

Launching a New Season
Thursday, February 7, 7:30 pm

 

When HIKI NŌ premiered on February 28, 2011, the HIKI NŌ students from Ka‘ala Elementary School who grace the cover of this program guide were toddlers. The Maui Waena Intermediate School students who hosted that first episode are now seniors in college. If the students have matured over the eight years HIKI NŌ has been on the air, so has the program.

 

Eight years ago, a weekly half-hour show in which middle and high school students write, report, shoot and edit PBS-quality news features on topics that they selected was inconceivable. Before going on the air, the premise of HIKI NŌ (which means “Can Do” in the Hawaiian language) was based on the supposition that the same professional quality found in news stories already being created at Wai‘anae High School’s Searider media program could be duplicated in other schools across the islands. Nobody knew if this grand experiment would work.

 

Not only did it work – it flourished beyond expectations and spread to 90 public, charter, and private schools throughout state – including four elementary schools!

 

Clockwise from top left: Students from Maui’s Seabury Hall School, A student from O‘ahu’s Aliamanu Middle School with Pearl Harbor attack witness Jimmy Lee at the World War II Valor in the Pacific National Monument, Students from Maui's Lahaina Intermediate School, Students from Kauaʻi's Kapaʻa Middle School

Clockwise from top left: Students from Maui’s Seabury Hall School, A student from O‘ahu’s  Aliamanu Middle School with Pearl Harbor attack witness Jimmy Lee at the World War II Valor in the Pacific National Monument, Students from Maui’s Lahaina Intermediate School, Students from Kauaʻi’s Kapaʻa Middle School

 

HIKI NŌ has thrived because of its unique intersection of two distinct worlds: The education world and the real-life world of a public television station that must uphold the standards of its broadcast and online content.

 

The rigorous experience of refining their stories to meet PBS national standards has helped HIKI NŌ students to dominate national digital media competitions. At the Student Television Network’s 2018 Fall Challenge, Hawai‘i’s HIKI NŌ schools garnered 33% of the awards given out for that competition. Hawai‘i took home the most awards of any state (13), followed by California (10) and Florida (5).

 

After the launch of the program, teachers and others from the education world began to notice that the HIKI NŌ experience taught students much more than how to tell stories with pictures and sound. It helped them to develop the basic skills needed to survive in the new, global economy: critical thinking, creative problem solving, adaptability, collaboration, teamwork and entrepreneurialism. The recognition that these skills are essential to students’ success in college and beyond has led to dynamic partnerships between HIKI NŌ/PBS Hawai‘i and the state’s Early College and P-20 programs.

 

A core group of HIKI NŌ teachers informally known as Hawai‘i Creative Media proved to be the most effective trainers of other HIKI NŌ teachers and their students. Their importance to the process became so evident that they organized themselves as a nonprofit organization – the Hawai‘i Creative Media Foundation – whose mission is to provide students and teachers across the state with training in basic digital media skills.

 

The state’s CTE (Career Technology Education) program and the Department of Education have recognized the importance of this training and are making plans to fund the Hawai‘i Creative Media-led teacher/student workshops. Up until now these workshops have been paid for by PBS Hawai‘i. This shift toward the educational institutions funding the training of its teachers and students represents a sea change for HIKI NŌ. It acknowledges that the educators are equal partners in the HIKI NŌ process and brings into focus the distinct roles that the two worlds must play: Hawai‘i’s educators teach Hawai‘i’s students, while PBS Hawai‘i provides them with the real-world, professional experience, plus statewide (broadcast) and worldwide (online) platforms for their voices to be heard.

 

 

 

NOVA
Mystery of Easter Island

 

A remote, bleak speck of rock in the Pacific, Easter Island, or Rapa Nui, has mystified the world ever since the first Europeans arrived in 1722. How and why did the ancient islanders build and move nearly 900 giant statues, or moai, weighing as much as 86 tons each? And how did they transform a presumed paradise into a treeless wasteland, bringing ruin upon their island and themselves? NOVA explores controversial recent claims that challenge decades of previous thinking about the islanders, who have been accused of everything from ecocide to cannibalism. Among the radical new theories is that the islanders used ropes to “walk” the statues upright, like moving a fridge. With the help of an accurate 15-ton replica statue, a NOVA team sets out to test this high-risk, seemingly unlikely theory – serving up plenty of action and surprises in this fresh investigation of one of the ancient world’s most intriguing enigmas.

 

VICTORIAN SLUM HOUSE
The 1890s

VICTORIAN SLUM HOUSE: The 1890s

 

VICTORIAN SLUM HOUSE takes viewers to the British slums of the 1800s, where a group of modern day families, couples and individuals recreate life in London’s East End as their forbearers once lived between 1860-1900. Faced with the virtually impossible task of earning enough money to pay the rent and put food on the table, the participants experience first-hand the tough living and working conditions endured by the millions that made up the urban poor in Victorian Britain. It’s an eye-opening experience for the participants as they each confront the harsh realities of the past and together lay the groundwork for welfare reform in the 20th Century.

 

The 1890s
Enter the 1890s, when mass manufacturing and social reform offer a bit of hope for some of the residents, while others are plagued by a water shortage that dashes hopes for a promising laundry business.

 

VICTORIAN SLUM HOUSE
The 1900s

VICTORIAN SLUM HOUSE: The 1900s

 

Observe the social changes the slum dwellers face as they move into the 20th century. A few families prosper, but others continue to face the poverty endemic in Britain. See what steps are finally taken to alleviate the plight of the poor.

 

VICTORIAN SLUM HOUSE
The 1880s

VICTORIAN SLUM HOUSE: The 1880s

 

VICTORIAN SLUM HOUSE takes viewers to the British slums of the 1800s, where a group of modern day families, couples and individuals recreate life in London’s East End as their forbearers once lived between 1860-1900. Faced with the virtually impossible task of earning enough money to pay the rent and put food on the table, the participants experience first-hand the tough living and working conditions endured by the millions that made up the urban poor in Victorian Britain. It’s an eye-opening experience for the participants as they each confront the harsh realities of the past and together lay the groundwork for welfare reform in the 20th Century.

 

The 1880s
Despite high unemployment and intolerable conditions, people flock to London, desperate for work. When curious upper-class visitors are permitted to visit the slum as tourists, the participants realize how precarious their situation truly is.

 

VICTORIAN SLUM HOUSE
The 1870s

VICTORIAN SLUM HOUSE: The 1870s

 

VICTORIAN SLUM HOUSE takes viewers to the British slums of the 1800s, where a group of modern day families, couples and individuals recreate life in London’s East End as their forbearers once lived between 1860-1900. Faced with the virtually impossible task of earning enough money to pay the rent and put food on the table, the participants experience first-hand the tough living and working conditions endured by the millions that made up the urban poor in Victorian Britain. It’s an eye-opening experience for the participants as they each confront the harsh realities of the past and together lay the groundwork for welfare reform in the 20th Century.

 

The 1870s
Witness a dire economic depression heightened by the arrival of Irish migrants seeking work. Daily, the slum dwellers toil to fulfil clothing orders and make artificial flowers for factories. Some won’t be able to settle their debts.

 

VICTORIAN SLUM HOUSE
The 1860s

 

VICTORIAN SLUM HOUSE takes viewers to the British slums of the 1800s, where a group of modern day families, couples and individuals recreate life in London’s East End as their forbearers once lived between 1860-1900. Faced with the virtually impossible task of earning enough money to pay the rent and put food on the table, the participants experience first-hand the tough living and working conditions endured by the millions that made up the urban poor in Victorian Britain. It’s an eye-opening experience for the participants as they each confront the harsh realities of the past and together lay the groundwork for welfare reform in the 20th Century.

 

The 1860s
Follow participants as they move into an 1860s tenement made up of sparse rooms, a shared water pump and outdoor privies. They seek to make a living by matchbox making, wood turning and the rag trade, work once done by their impoverished forebears.

 

INDEPENDENT LENS
The Bad Kids

 

Located in an impoverished Mojave Desert community, Black Rock Continuation High School is an alternative school for students at risk of dropping out; Black Rock is their last chance. Extraordinary educators believe that empathy and life skills, more than academics, give these underserved students command of their own futures.

 

A CRAFTSMAN’S LEGACY
The Woodworker

 

Host Eric Gorges combs the country for America’s finest craftsmen, documenting what it means to be a modern-day maker. In each episode, Eric explains the history of an old-world craft as it is practiced in America today.

 

The Woodworker
Host Eric Gorges visits John Wilson, a writer, a teacher and a woodworker, at his home shop and learns how to make a shoulder plane. Eric learns the history of shop-made tools, how to home temper tool-steel and the importance of salt in the woodshed.

 

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