storytelling

Bank of Hawaii Foundation Renews Major Support for PBS Hawaiʻi’s HIKI NŌ

PBS HAWAI‘I – News Release

315 Sand Island Access Rd.| p: 808.462.5000| pbshawaii.org
Honolulu, HI 96819-2295| f: 808.462.5090

 

For questions regarding this press release, contact:
Jody Shiroma
jshiroma@pbshawaii.org
808.462.5026­

 

May 14, 2019

 

Download this Press Release

 

Bank of Hawaii Foundation major supporter of HIKI NŌ

(HONOLULU, HI) –– Bank of Hawaii Foundation has renewed its major support of PBS Hawaiʻiʻs youth learning initiative:  HIKI NŌ: The Nation’s First Statewide Student News Network, with a $100,000 grant. Bank of Hawaii Foundation’s investment dates back to the launch of HIKI NŌ in 2011.

 

Since then, Hawaii’s HIKI NŌ schools have gained the reputation of being formidable competitors at rigorous national journalism contests, including bringing home nearly 20% of the awards at the prestigious Student Television Network Convention held March 28-31 in Seattle, Washington and which involved over 3,000 students and teachers.

 

“Bank of Hawaii Foundation is honored to be a significant contributor to HIKI NŌ since inception,” said Momi Akimseu, president of Bank of Hawaii Foundation. “Our ongoing commitment helps local students across the islands continue the meaningful work of sharing their unique voices and perspectives in a very powerful way. We are proud to support a program of this caliber, which provides students the opportunity to develop digital storytelling skills and the means to connect their relevant stories and experience with our local community.”

 

PBS Hawaiʻi President and CEO Leslie Wilcox said the Foundation’s belief in Hawaiʻi’s youth is fueling a statewide “launch pad” for student achievement in real-world life skills such as perseverance, critical thinking, oral and written communications, teamwork and technology.

 

Under their teachers’ guidance, middle and high school students from more than 90 public, private and charter schools from across the islands use digital media to report from their communities.

 

Bank of Hawaii Foundation is HIKI NŌ’s trailblazing lead sponsor, with other major sponsors Kamehameha Schools and ABC Stores.

 

HIKI NŌ airs on PBS Hawaiʻi at 7:30 pm Thursdays, and is rebroadcast at 3:00 pm on Sundays. The student newscasts are always available to view on demand at www.pbshawaii.org.

 

 

 

A Modern Twist on a 19th-Century Classic

 

A Modern Twist on a 19th-Century Classic: Les Misérables on MASTERPIECE

April program guide cover story by Jody Shiroma, PBS Hawai‘i

 

The story unfolds with Jean Valjean, a worn-out convict who cannot seem to break free from his life of crime, until a simple act of kindness changes his life for the better as he chooses to “pay it forward” by committing to save a young girl from a life of poverty.

 

Les Misérables: David Oyelowo as Javert, Dominic West as Jean ValjeanWhile you have probably heard of Les Misérables, or have seen the musical or the film of the musical, the dramatic interpretation of this classic novel on MASTERPIECE takes a new twist. Viewers tuning into the series will see the same story told differently, in a modern take on this French classic, as the team behind this television adaptation is ignoring the famous songs and instead embracing speaking-only roles in an ethnically diverse cast sporting British accents in a French setting. The intent is to add a contemporary feel to the 150-year-old story.

 

The series features an esteemed ensemble of actors to bring the story to life. It stars Dominic West in the iconic role of ex-convict Jean Valjean, David Oyelowo as his nemesis Javert and Lily Collins as the destitute Fantine as key players in the amazing cast.

Les Misérables: Lily Collins as FantineThis television adaptation of Les Misérables brings the renowned classic by Victor Hugo vibrantly to life through colorful and fetching characters. Multi award-winning screenwriter Andrew Davies goes back to the original novel and digs deep into the many layers of Hugo’s story, taking viewers on a roller coaster ride through Jean Valjean and Javert’s cat-and-mouse relationship set against the epic backdrop of France at a time of civil unrest.

 

Les Misérables includes some of the most famous characters in European literature, and touches upon many of the same social problems that we face today – the struggle of poverty, crime and punishment, good vs. evil, social injustice and wrong vs. right.

 

Director Tom Shankland says: “Working with this incredible cast on Andrew Davies’ fantastic adaptation of Les Misérables, really is a dream come true. We want to capture the thrilling spirit of passion and protest in Victor Hugo’s novel and make it feel more relevant than ever. The conviction, intensity and authenticity that all of these actors bring to their work is going to be a massive part of making this story speak to audiences everywhere.”

Les Misérables on MASTERPIECE

Sundays at 8:00 pm
April 14 – May 19, 2019
on PBS Hawaiʻi
Watch a preview here

 
Les Misérables on Masterpiece

 

 

 

HAWAIʻI STUDENTS FROM HIKI NŌ: THE NATION’S FIRST STATEWIDE STUDENT NEWS NETWORK, TAKE HOME NEARLY 20% OF AWARDS AT MAJOR NATIONAL COMPETITION

PBS HAWAI‘I – News Release

315 Sand Island Access Rd.| p: 808.462.5000| pbshawaii.org
Honolulu, HI 96819-2295| f: 808.462.5090

 

For questions regarding this press release, contact:
Jody Shiroma
jshiroma@pbshawaii.org
808.462.5026­

 

April 8, 2019

 

Download this Press Release

 

HAWAIʻI STUDENTS FROM HIKI NŌ: THE NATION’S FIRST STATEWIDE STUDENT NEWS NETWORK, TAKE HOME NEARLY 20% OF AWARDS AT MAJOR NATIONAL COMPETITION

HAWAIʻI STUDENTS FROM HIKI NŌ: NEWS NETWORK,
TAKE HOME NEARLY 20% OF AWARDS
AT MAJOR NATIONAL COMPETITION

 

HONOLULU—Hawaiʻi students from HIKI NŌ: The Nation’s First Statewide Student News Network, brought home nearly 20% of the awards at the prestigious Student Television Network (STN) Convention, a rigorous student media competition held March 28 – 31 in Seattle, Washington. The four-day event – open to intermediate and high schools across the U.S. – played host to 3,000 students and teachers.

 

Twenty-three Hawaiʻi schools competed and won a total of 35 awards.

 

PBS Hawaiʻi’s eight-year-old HIKI NŌ (Hawaiian for “Can Do”) educational initiative has helped Island students become national standouts in quality digital storytelling, a medium that is at the forefront with youth.

 

Through HIKI NŌ, students are learning not only the skills of digital storytelling but how to apply them to real-world challenges.

 

Ewa Makai Middle School teacher Ethan Toyota acknowledges HIKI NŌ’s role in their success at the competition. Toyota said, “We really wouldn’t have gotten this far without HIKI NŌ and all of the supportive Hawai‘i media teachers.” Ewa Makai Middle School took home three awards, including first place for Spot Feature.

 

First-time attendee, Janet Powell of Kauaʻi’s Island School, noted that her students could not have competed without HIKI NŌ training.

 

Under their teachers’ guidance, students from 90 public, private and charter schools from across the islands participate in HIKI NŌ, which is based on curriculum that builds skills in storytelling, critical thinking, teamwork and technology.

 

“PBS Hawaii’s HIKI NŌ program has proven to be a launchpad for many Hawaiʻi students in gaining these real-world skills and excelling at a national level. Congratulations to the students and their teachers!” Leslie Wilcox, PBS Hawaiʻi president and CEO said.

 

HIKI NŌ is primarily supported by charitable foundations with lead sponsors: Bank of Hawaii Foundation, Kamehameha Schools and ABC Stores.

 

Winning schools and categories listed below:

 

MIDDLE SCHOOL

 

Convention Recap (Middle School)
Second place: Maui Waena Intermediate School
Honorable mention: Ewa Makai Middle School

 

Spot Feature (Middle School)
First place: Ewa Makai Middle School
Second place: Island School
Honorable mention: Maui Waena Intermediate School

 

Movie Trailer (Middle School)
Third place: Chiefess Kamakahelei Middle School
Honorable mention: Kamehameha Schools Maui Middle School

 

Nat. Package (Middle School)
Third place: Waianae Intermediate School
Honorable mention: Highlands Intermediate School

 

Public Service Announcement (Middle School)
Second place: Maui Waena Intermediate School
Honorable mention: Kealakehe Intermediate School

 

Silent Film (Middle School)
Third place: Kapaa Middle School

 

Anchor Team (Middle School)
Honorable mention: Kapaa Middle School

 

Music Video (Middle School)
Second place: Waianae Intermediate School

 

Crazy 8s Broadcast News Magazine (Middle School)
First place: Chiefess Kamakahelei Middle School
Second place: Maui Waena Intermediate School

 

Crazy 8s Short Film Fiction (Middle School)
Second place: Waianae Intermediate School
Third place: Ewa Makai Middle School
Honorable mention: Maui Waena Intermediate School

 

HIGH SCHOOL

 

Tell The Story Editing (High School)
Honorable mention: Moanalua High School

 

Nat. Package (High School)
Honorable mention: Maui High School

 

Commercial (High School)
Honorable mention: Maui High School

 

PSA (High School)
Third place: McKinley High School

 

Weather Reporting (High School)
Third place: Waianae High School

 

Multimedia Journalist (High School)
Honorable mention: Moanalua High School
Honorable mention: Waianae High School

 

Music Video (High School)
Honorable mention: Waiakea High School

 

Video Tip (High School)
Third place: Maui High School

 

Crazy 8s Broadcast News Magazine (High School)
Second place: Waianae High School

 

Crazy 8s Short Film Documentary (High School)
First place: Kamehameha Schools Maui High School

 

Crazy 8s Short Film Fiction (High School)
Honorable mention: Moanalua High School

 

Crazy 8s Broadcast Morning Show (High School)
Honorable mention: Maui High School

 

Excellence Awards

 

National Winner: Broadcast Excellence–Monthly Show
Waianae High School

 

South Pacific/International Regional Winner: Broadcast Excellence—Weekly Live/Taped News Show
Moanalua High School

 

Film Excellence—Best Directing
Moanalua High School

 

 

 

A childhood discovery and a journey of 1500 pages

 

CEO Message

 

A childhood discovery and a journey of 1500 pages

Leslie Wilcox, PBS Hawai‘i President and CEOI was a barefoot third-grader, playing with hula hoops in a friend’s garage in Āina Haina, when I spied a stack of old comic books.

 

That was my unlikely introduction to Les Misérables. The foreign words were on the cover of a Classics Illustrated comic book, where a man carrying another was running from pursuers in a rat-infested tunnel.

 

My playmate and I dropped our hoops and hunched over that top book in the stack. The drawings were dramatic – and even more striking were the words, painting the story of a man who was both hero and crook, good and bad, trusted and untrustworthy, long-suffering and impatient, a man who hated and loved.

Comic book cover art of Victor Hugo's Les MisérablesWe’d found a magic comic book that was not the usual kid stuff of bright, positive absolutes.

 

Even though the story was set far away and long ago, it resonated deeply. It spoke to the confusing contradictions I’d already experienced in my young life – a father who promised to be home at night but rarely was; an admired teen scholar/ athlete who kicked his dog when he thought no one could see; and the much-feared school bully who was understanding and even gracious when I accidentally hit him in the face with a kickball.

 

A couple of years later, during summer vacation, I wanted more than the comic book version of Les Misérables. As it turned out (just my luck!), the hardcover novel is one of the longest books in European literature, nearly 1,500 pages. On top of that, I needed to have a second book handy, the dictionary. I still remember the first of many words I looked up: morass.

 

Reading the novel sometimes felt like slogging through a morass. Author Victor Hugo would digress into long, detailed histories – of the Battle of Waterloo, the construction of Paris sewers and more. Those parts, I skimmed.

 

However, I was forever held by the main story line which famously starts with Jean Valjean sent to prison for stealing bread to feed his widowed sister’s seven children. The story enveloped me in a world in which I was often trying to decipher the boundaries of right and wrong, good and evil, war and peace, love and hate.

 

Later, when I covered poverty as a journalist, I would return to Les Misérables to re-read this stinging quote: “There is always more misery among the lower classes than there is humanity in the higher.”

 

Since childhood, I’ve always been eager to see new adaptations of Les Misérables, on stage and screen. I hope you’ll join me in spirit, on the community sofa, to view this latest PBS television presentation.

 

Les Misérables on MASTERPIECE

Sundays at 8:00 pm
April 14 – May 19, 2019
on PBS Hawaiʻi

 

Learn more about Les Misérables
in our program guide cover story by
Jody Shiroma, VP of Communications, PBS Hawaiʻi.

 

Aloha Nui,

Leslie signature


 

 

 

Royal Talent
The Lim Family of Kohala, Hawai‘i Island
Cover Story by Liberty Peralta

Siblings Sonny Lim, Nani Lim Yap, Lorna Lim and Leialoha Lim Amina

 

Cover Story: Royal Talent, The Lim Family of Kohala, Hawai‘i Island

By Liberty Peralta, PBS Hawai‘i

 

Royalty and talent. Chances are, it’s rare you’ve met someone – much less an entire family – who could truly lay claim to both.

 

For the Lim Family of Kohala, Hawai‘i Island, royalty and talent course through their veins.

 

The Lims’ lineage can be traced back to Alapa‘i Nui, the chief who once ruled Hawai‘i Island. As the birthplace of King Kamehameha the Great, and the residence of high chiefs (ali‘i nui), the Kohala district is featured in many ancestral stories.

 

“Kohala’s history had a lot of royalty,” says Lorna Lim. “A lot of the families still exist today. They keep family stories alive through chants and mele.”

 

The musically talented Lims are one of those families, with each family member well-versed in music, chants and hula. The six Lim siblings are: Leialoha Lim Amina, Nani Lim Yap, Charmaine “Minnie” Lim Davis, Elmer Jr. “Sonny” Lim, Lorna Lim and James “Kimo” K.H. Lim. Kimo died in a helicopter accident in 1997.

 

Their mother, the late singer Mary Ann Lim, was hired as a cook, then as an entertainer, at the Mauna Kea Beach Hotel in the 1960s. Naturally, the performances became a family affair.

 

LONG STORY SHORT WITH LESLIE WILCOX. Get to know two Lim family members through in-depth conversations: entertainer and kumu hula Nani Lim Yap and her son, fashion designer and hula practitioner Manaola Yap.To this day, the Lim children continue to carry the family’s musical torch. Nani, Sonny and Lorna still perform regularly at Mauna Kea Beach Hotel, as well as the nearby Mauna Lani Hotel. They also frequent Japan to perform, and have traveled as far as Europe to entertain audiences.

 

“We’re real grassroots,” says Nani, whose husband Ed Yap is also an integral part of this musical family. “We’ve not really advertised what we do, who we are. I think it’s just [people] seeing what we do.”

 

This month, PBS Hawai‘i viewers can see for themselves what the Lim family can do. A new episode of Nā Mele: Traditions in Hawaiian Song, recorded in our Harry and Jeanette Weinberg Multimedia Studio, features the Lims in a new setting, but a familiar scene: surrounded by music and family. Among the songs they perform are: “Ka‘anoi Pua-Pua Olena,” “Lei Ana O Kohala,” “He Hene Ahahana,” “Ka Wahine O Ka Lua” and “Pau Hana Rag.” Among the featured hula dancers are: Leialoha Lim Amina; Lorna’s daughter Wehi; and Nani’s daughter Asia.

 

NĀ MELE: Traditions in Hawaiian Song | Monday, January 28,7:30 pm

 

There’s more. In a new episode of Long Story Short with Leslie Wilcox, Nani Lim Yap reminisces about growing up with her siblings on Parker Ranch, going on long rides in the family’s Rambler station wagon, and overcoming stage fright. “I performed before as a dancer, but not as a singer,” she explains. “I could not look at the crowd.” Today, in addition to her regular Kohala hotel gigs with Sonny and Lorna, Nani is also an accomplished kumu hula.

 

And in a Long Story Short encore, we revisit our conversation with Nani’s son, Manaola Yap. A fashion designer who made a splash at the 2017 New York Fashion Week, he’s also a musician, hula practitioner and chanter.

 

“I do not name myself to be a designer that went to school and did all of that because that’s not me,” Manaola says. “I specifically come from the background and the understanding of the traditions of hula and the dance in its most traditional element.”

 

It all comes back to the Lims’ commitment to tradition and storytelling. “Hula, it is bringing those words to a living form,” says Lorna. “And then you realize that mele are portals back in time. You bring this song [from the past] back to life, and come right back here to our time.”

 

LONG STORY SHORT WITH LESLIE WILCOX: Guest Manaola Yap will be broadcast Tuesday, January 15, 7:30 pm. Guest Lani Lim Yapʻs show will be broadcast Tuesday, January 22, 7:30 pm

 

 

 

 

LONG STORY SHORT WITH LESLIE WILCOX
Lois Kim

 

Strength and grit were the two values that Lois Kim’s Korean American parents instilled in her from an early age. But when tragedy struck, she turned to drugs, which took her down a dark path that resulted in prison time. She’s since served her time, and is now using the power of storytelling to share her exploration of vulnerability – and a new source of strength.

 

This program will be rebroadcast on Sunday, Dec. 9, at 4:00 pm and 11:30 pm.

 

Lois Kim Audio

 

Download the Transcript

 

Transcript

 

I remember this one time, right before my mom passed.  I think it was maybe two or three months I’d been out on the streets, and she saw me on Kapi‘olani Boulevard.  She had lost a lot of weight by then, and she started crying and she said: I thought you were dead.  You know, where have you been?  And you know, I was dressed kind of scantily clad, and … I remember feeling a little embarrassed to see her.  And the only words that could have come out of my mouth at that wasn’t: I’m sorry, Mom, I’ll be home, I’m sorry what I did to you.  It was: Mom, do you have money?

 

She was a young wife, mother, and assistant vice president at a local bank when events in her life triggered a downward spiral: drug addiction, life on the streets, and a spot on Hawaii’s Most Wanted List.  Lois Kim candidly shares her story, next, on Long Story Short.

 

One-on-one engaging conversations with some of Hawai‘i’s most intriguing people: Long Story Short with Leslie Wilcox.

 

Aloha mai kākou.  I’m Leslie Wilcox.  Recovering addict Lois Kim describes her childhood as growing up in a stable middleclass family environment, surrounded by siblings, a grandmother, an auntie, and her parents, who were immigrants from South Korea.  Her father was an engineer who later become involved in local politics, and worked on behalf of the Korean community in Hawai‘i.  She says her mother was a workaholic, an entrepreneur whom some referred to as the Godmother of Korean Restaurants.  Kim says her mother would take a struggling business, and turn it around with her instincts, reputation, and cooking skills.  And it was not unusual for her busy working mom to send a taxi to pick up her children at school.

 

With all that work she did for so long, were you close to her?

 

Not growing up; no.  I remember always longing to have what I saw on TV, the Western family.  Longing to have a mom that would pick me up every day, go to like after school practices with me, hug me, say I love you; all that cheesy stuff.  I remember longing for that.  But today, in retrospect, I think she did the best she could. She came from a different culture than I was brought up watching on TV.

 

She was busy providing for you.

 

Yes.

 

So, that means when you were sick from school, you were alone.

 

My grandma; my mom had brought over my grandma to watch over us from Korea.

 

So, you always had somebody in the house?

 

Yes; either grandma, or before that, there was this auntie that my mom trusted with us.

 

You said your dad was a politician.  And was he a strict father?

 

He was very quiet.  Extremely strict; he would make my brother and I uh, meditate at night. You know, he’d sit us in front of him, he’d sit on the couch, and he’d watch us for an hour.  And I think we were like … I was ten and my brother was six. You know, for a ten-year-old to sit there with their eyes closed and meditate for a whole hour was impossible. But my dad just grinded it into us. He tried to teach us a lot about discipline and being strong.  He wasn’t very loving in a sense, only because, you know, traditional Asian family; he was the man of the household.  But when he spoke, you listened.

 

He would spank you?

 

He did, at times.  I remember being afraid of the golf club at times.

 

He would hit you with his golf club?

 

Yeah.  For me, looking back today, it’s just discipline; a different type of discipline. I wouldn’t call it child abuse. Maybe some might today, but it was just to make me a stronger person.

 

What were you like as a kid?  Besides being bratty.

 

I was an introvert.  Childhood was kind of rough for me, only because you know, I couldn’t really fit in well.

 

Did you speak Korean, or what was your language like then?

 

My first language was Korean.  So, going into school, I really couldn’t converse with the other children, the culture was different.  So, I was kind of an outcast.  And then, I think later on, as I got older, I turned to food to comfort myself.  And this is back when childhood obesity wasn’t that prevalent.  I was extremely overweight.  I remember being the biggest kid in class, bigger than all the boys and the girls, height wise and weight wise.

 

Did you get picked on?

 

I did.  I got picked on, but because of my size, I was able to stop the bullying right there.

 

How were your grades?

 

My grades were mediocre, only because I think it bored me; high school didn’t really challenge me.  At some point, my father thought that maybe it would be a losing investment to put me through college, only because my grades were pretty low.  I was determined and stubborn.

 

What made you determined?

 

I think a little bit of my dad refusing to pay for my college.  ‘Cause I knew in the back of my head that, you know, that’s what parents are supposed to do.  They’ve provided for me up until now.  They haven’t provided a loving family style, but they’ve always provided financially. And it goes without saying, they’re gonna provide for my education.  But that day when he told me that he’s not gonna put an investment into my education, is when I realized: Hm, what?  I’ll show you.  My father paid for everything for my brother.  ‘Cause in our family—and I think it’s typical of all Asians, you know, a son you take care, he’s like the king of the family.

 

Yeah. So, I can see how there were a lot of reasons to feel resentment and worry.

 

M-hm.

 

As a child.

 

I did; I did have a lot of resentment, a lot of anger.

 

But somehow, you said: I’m gonna go to UH.  How did you pay for that?

 

I worked at the bank as a teller, and I got grants and loans.  I’m still paying off my student loans now.  But I made it happen; I made it happen.  Yes.

 

You enjoyed college?

 

It was challenging, and that’s where I excelled, because it was something that mentally stimulated me.  And when I graduated, I graduated on the Dean’s List.  So, I was holding down a job, paying for college, and getting good grades.

 

What happened next?  At some point, you met somebody that you married.

 

A gentleman I was working with at the bank introduced me to his friend.  He said: Hey, look, I’ve got this friend, he lives in Guam, but I think you guys would match; you guys are both intellectuals, you’re both Asian, both Korean. And that’s an important thing. So, I started emailing him.  We emailed back and forth.  He came down to visit for about ten days.  My family met him.  He was the perfect son-in-law my mother and father had always wanted.

 

What about you; were you in love with him?

 

Well … I loved how happy my mom and dad were. And he was a good man.  You know, he is a good man.  He’s good on paper, accomplished.  I think he was pre-law at that time.  So, love was probably the farthest thing from my mind.  He just made logical sense.

 

And at some point, you had a baby.

 

About a year or two into our marriage; yes.  The right thing to do; right?  The typical thing to do.  I had a daughter.  I remember giving birth to her, and just instantly falling in love, and thinking: I’m gonna do everything in my powers to protect you; and at the same time, I’m gonna do everything in my heart to love you and show you the love that I’ve always longed for.  But time will tell.

 

What happened to change your daughter’s life, your life, your husband’s life?

 

Those turning points in life; huh?  So, I was at the top of my career, doing so well. My father and I were finally building up a relationship.  You know, he called me just because he was lonely or bored.  I’ve never had that.  It was amazing.  I remember receiving a phone call saying: This is St. Francis Hospital; you need to come here right away.  I asked for more information, but of course, they couldn’t give me any information over the phone.  I remember driving up to St. Francis, and the first person I see is my mom.  She runs to me, and she collapses in my arms.  She tells me that my dad passed out, he’s on life support, and he’s in the ICU.  Speaking to the doctors, they told me that he’s got like, ten percent brain activity left, and prepare yourself.

 

Shortly after Lois Kim lost her father, her mother was diagnosed with cancer, and the grandmother who looked after her as a child passed away.  It seemed that just as her life was finally coming together, those she loved were being ripped away.  She says she couldn’t cope with so much loss, and that’s why she spent more time away from home, at bars and clubs, where she met someone who introduced her to cocaine.

 

It did a weird thing.  It alleviated some of the pain; it made being conscious and awake a little bit more bearable.  And that’s when the downturned happened.  You know, of course, the more your body gets used to something chemical, it needs a little bit more.  And then, that’s when I started to experiment with crystal methamphetamine.  I can handle it.  This drug will never bring me down.  I’m just gonna use it for now to get over this hump, and then get back on track. You know?  I’m not an addict.  This drug is not gonna consume me.  Couldn’t have been more wrong.  It took everything from me.  And I let it.

 

So, I need to ask you.  You still had family; your husband and your child.

 

Yes.

 

So, you didn’t lose all your family.

 

Not at that point; no.  My mother was still alive, as well.  But I acted selfishly at that time.  I told my husband that I don’t love him anymore.  I moved out.  I stayed with my mom, and then I remember just going out frequently.  And it was this perpetual snowball.  Like, I wouldn’t come home ‘cause I was embarrassed because of my drug use.  Then I’d feel guilty, and do more drugs.  Then, it would prolong my stay out on the streets, you know, staying at strangers’ houses, drug dealers’ houses, just trying to get high.

 

What was a day like for you when you were on crystal meth?

 

It’s hard to demarcate when the day starts and ends, because crystal meth is a stimulant and it’ll keep you up for days on end.  So, I guess to describe, let’s just say, okay, in the morning, my day would start with having nothing in my pockets, and wondering in my head: How am I gonna obtain this high?

 

And where were you waking up?

 

Sometimes, in stairwells.  Sometimes in game rooms.  Sometimes … at strangers’ houses, being woken up to man on top of you.  It was an adventure, to say the least, I guess. So, I’d wake up with nothing in my pocket, with a goal in mind.  My only priority at that time was to obtain more drugs.  So, I’d go out on a quest.  For a lot of women, there’s only a few ways you can obtain drugs out there. It’s either you sleep with a drug dealer, or you obtain something worth something, to sell.  And because I was Asian, I could fit in with the tourists. I quickly got drawn into what we called boosting, which is essentially shoplifting from stores, and obtaining items that a high demand on the streets.

 

How did you learn to do that?  I guess your native wit takes over.  How did you do it?

 

You have to learn to survive.  So, you know, in the dark world of the drug world, there are some people known as professional boosters.  So, I would go to them, pick their brain, learn from them. And they taught me a few tricks and things that I could do to get past sensors.  And then from there, I took that and just melded my own theories into it. So, I was able to support my habit that way.

 

And all this time, what were your thoughts about your daughter?

 

There would be moments she’d creep into my head.

 

But generally not?

 

No.  I knew she was safe.  I knew she was well, she was happy.  Well, in my head, I convinced myself that she was happy, and that me being in her life might just be worse.  So, I kinda tricked myself into justifying why I wasn’t there for her, or staying out on the streets longer.

 

Did you think of the future?  Like, I’ll just do this for a couple more days, and then I’ll stop.  Did you have that feeling, like it was not gonna be what you did forever?

 

That’s how it began.  It did.  I told myself: You know, it’ll be just until I get over this, or I’ll wake up someday.

 

Get over what?

 

The grief, the pain, the loss.  But then, it slowly turned into … towards the end of my drug addiction, I was hoping that it would be the end of it.  Like, I would die high.  Like hopefully, this drug will do so much damage to me that it’ll just take my life from me.  Towards the ending of my drug use, I was shooing ice intravenously, using needles.

 

Well, how did it get to be in your past?  What happened to change this, where you’re hoping to die high?

 

So, naturally, I got in trouble with the law.

 

I remember seeing you on Hawaii’s Most Wanted.  And it said that loss prevention officers at a store, you were a known person to them, and they followed you and they caught you with a couple of items.

 

Like, five of them just jumped out of the bushes, called me by name, and you know: Drop what you what you have in your hands and don’t move.  Something out of a movie.  But yes, they took me.  It was enough to convict me with felony charges.  I think I had drugs on me, so another felony charge.  I got into OCCC, and that’s when I learned that … my mom was in a coma.  I guess the reason why when she saw me on the streets and asked me to promise to come home that Thanksgiving was because she needed to tell me that she needs me there for her when they’re removing the tumor.  I wasn’t there.  So, in OCCC, I got a phone call from my brother saying that Mom’s on life support, we’re taking her off.  I begged and pleaded, and asked him to bail me out, let me be there for her.  You know, I wasn’t there for her when she needed me the most, let me be there for her now.  He said, no.  So, eventually, I did get put on probation.  But it’s the weirdest thing.  The judge knew I had nowhere to go.  So, at that time, my mom passed, her funeral happened.  I thought my daughter and her dad had moved back to Guam. Nobody communicated with me while I was incarcerated.  And then, the judge let me out on probation, out on the streets.  So, I went straight back to the game rooms, got high within an hour of getting released.  And I think that’s when you saw me on Hawaii’s Most Wanted, ‘cause I absconded. They were looking for me.  I think I was on the run for about two to three months. They found me in a game room, took me in.

 

While serving time in prison in Kailua, Lois Kim was enrolled in a mandatory drug rehabilitation program.  She recalls a life-changing moment of clarity.  During an exchange with her counselor, she declared that since she lost everything and everyone she loved, she just wanted to die high.  The counselor wasn’t buying any of it.  She looked Lois Kim dead in the eye, and challenged her to get off her pity pot.  Something clicked.

 

I was like: What?  I was on a pity pot.  I’m better than this.  I’m stronger than this.  I was bred to be strong, through my upbringing.  Why am I acting this way?  And that’s when that proverbial turn in your life happened again for me. You know.

 

It’s interesting that that got to you, because you probably knew that at some level already.

 

I knew it; I knew it.  But she said to me in a challenging manner, just like how when my father had told me: I’m not paying for your education.  Oh, I’ll show you.  Oh, get off my pity pot; you don’t think I can?  I’ll show you.  Well, getting over addiction and all that trauma in your life is never a one-day thing, or one-thing thing.  I remember just, you know, beginning my healing process at that time.  But again, I was incarcerated, and then sobriety was hitting me.  And when you’re sober, all this guilt just comes rushing back into your life, into your wellbeing.  I remember having recurring nightmares of seeing my mom and my daughter with their back towards me, and me screaming out to them, but they wouldn’t turn around. I didn’t know where my daughter was. I knew there was so much I needed to say to apologize, so much I needed to explain, but I didn’t know how.

 

How many years had gone by since you left the home?

 

Maybe two years straight, and maybe … four years altogether, where I’d come home once in a while.  So, a straight two-year absence from my daughter’s life.

 

And how old was she then?

 

She was probably about six when I started.  And then, through seven, eight, nine is when I was gone.

 

Did you feel like you owed your—was he your ex-husband by that time, an explanation?

 

He knew.

 

So, no need to have words over that?

 

I remember apologizing to him, ‘cause I knew that was what needed to be done.  But as for an explanation; no.  He knew what I had gotten myself into.  I mean, it was plastered all over the news; he knew.  He knew exactly what grievance I was going through too, ‘cause he was there when my father had passed.  He was there through the whole thing.  So, he knew why I did what I did.

 

What was it like between you and your daughter when you were reunited for the first time?

 

It was kinda … you’d like to think it was like a storybook ending, where we ran into each other’s arms, and lived happily ever after.  But it was kinda awkward in the beginning.  She had her wall up, and I didn’t know how to get past that without offending her.  It was kinda like two strangers meeting … but they’re family.  So, it was baby steps.  So, from the first meeting, we started talking on the phone every day, ‘cause I was allowed to talk on the phone for fifteen minutes at a time.  I’d call every evening.  We started to play this game that we made up, where she likes to act out a role, and we’d role-play.  And then from there, it went into her coming and staying, and sleeping at the furlough house on weekends.  And then, when I graduated from the furlough program, her father actually allowed me to come and rent a room from him.

 

So, you had regained, if not his trust, at least a second chance.  And your daughter, too.  You know, your daughter had to be onboard for that too; right?

 

I think what happened was, he knows that who I was while high or addicted isn’t who I am.  He knows the core being of me is responsible.  And I think that’s the thing; responsible.  Maybe not so loving, maybe not so caring, but he knows I’m a very responsible person.  And I remember before he allowed me to rent that room, we had to interview with his landlord.  So, what took me off guard is my ex-husband telling the landlord: You know, I don’t back anybody up, but I’m backing her up; she’s very responsible, she’s changed, she’s a good person.  That’s the first time I’ve ever heard him say anything nice about me.  And that‘s when I knew I’m doing well.  When I got reunited with my daughter, I shared every part of my life with her: the embarrassing parts, the hard to swallow parts. So, she understands.  But the importance is that I told her it was a bad choice, and we come up from that.  I didn’t alleviate any of my wrongdoings, I didn’t wash my hands saying it wasn’t my fault.  I told her: Yes, it was Mommy’s fault, Mommy made bad choices, but I can fix it.

 

At the time of our conversation in the Spring of 2018, Lois Kim told us she was employed fulltime, and continued to work on her recovery and rebuilding her life with her daughter.  She was also committed to earning a relationship with a son, who was born during the years of her addiction.  He lives with his paternal grandmother, who still isn’t ready to permit Kim to establish a bond with her son.  Lois Kim says she understands, and sees this as another opportunity and challenge to prove herself.  We wish her personal peace and sobriety, as she shares with everyone her first published work, Mommy Loves You, a heartfelt message she wrote for her daughter during a critical period of her journey back.  Mahalo to Lois Kim of Honolulu, O‘ahu, for sharing your story with us.  And mahalo to you, for joining us.  For PBS Hawai‘i and Long Story Short, I’m Leslie Wilcox.  Aloha nui.

 

For audio and written transcripts of all episodes of Long Story Short with Leslie Wilcox, visit PBSHawaii.org.  To download free podcasts of Long Story Short with Leslie Wilcox, go to the Apple iTunes Store or visit PBSHawaii.org.

 

What did she make of your book, Mommy Loves You?

 

The book helped open up the discussion.  She told me that she had thought I abandoned her. She thought it’s because I didn’t love her.  And at one point, she thought I was dead; she thought I had passed.  The lucky thing for me is, I got sober while incarcerated. I also got to heal while incarcerated. So, I was speaking about having all that guilt and turmoil inside of me.  That’s when I got granted an opportunity to write a children’s book.  At first, I didn’t want to do it, because I thought it hurt too much.  Like, who am I gonna write to, who am in gonna give it to; I don’t know her address. But someone encouraged me to.  I wrote it within two, three minutes of sitting down.  It just … flowed straight out of me.  Did the artwork.  And that’s when I think I really began to heal.

 

And if I’m her, my question is: How do I know you’re not gonna go right out and do it again?

 

You don’t.  You don’t.  I don’t. I would like to think I won’t. You know, addiction is a very scary thing.  I would say ninety-five percent of my sisters in addiction has gone back.  And like you brought up earlier, the whole relapse thing. I haven’t relapsed.  I hope I never will.  But statistically, it’s likely.  Those times when I think about relapsing, I remember how horrible my life was back then.  I remember everything I’ve earned today, and how hard I’ve worked to get it.  I think before I get high, I think about my child, my children.  I need to be responsible.  That’s a part of my past that, you know, been there, done that.  Let’s never, ever revisit that.  But it’s a notch under my belt.  You know, I’ve been there, done that, I’ve lived through it, and hopefully … I can forever remain a success story.

 

 

 


PBS Hawaiʻi to benefit from Consolidated Theatres
film screening series

In celebration of storytelling through film, Consolidated Theaters has selected PBS Hawai‘i as one of five local nonprofits to benefit from its Saturday screening series, “A Film for Every Decade.”

 

Every Saturday from August 26 through October 28, all Consolidated locations will present an iconic family film from every decade over the last 100 years. Admission is only $4. A portion of net ticket sales will support PBS Hawai‘i, as well as the following nonprofits: Boys and Girls Club of Hawai‘i, Hawai‘i Arts Alliance, Hawai‘i Public Radio and Ronald McDonald House Charities of Hawai‘i.

 

The screening series will take place at all Consolidated locations: Ward, ʻOlino, Kapolei, Mililani, Pearlridge, Kahala, Koko Marina, Koʻolau, Kaʻahumanu.

 

The chart below will be updated with online ticketing links as they are provided. For more information, please check with your Consolidated venue of choice.

 

Screening Date Film Titles Decade Year of release
26-Aug CHARLIE CHAPLIN’S THE KID 10’s – 20’s 1921
2-Sep THE WIZARD OF OZ 30’s 1939
9-Sep CASABLANCA 40’s 1942
16-Sep SINGIN’ IN THE RAIN 50’s 1952
23-Sep THE SOUND OF MUSIC 60′ 1965
30-Sep WILLY WONKA AND THE CHOCOLATE FACTORY 70’s 1971
7-Oct E.T. THE EXTRATERRESTRIAL 80’s 1982
14-Oct JURASSIC PARK 90’s 1993
21-Oct LILO AND STITCH 2000’s 2002
28-Oct MOANA 2010’s 2016

 

CURIOUS TRAVELER
Curious Stockholm

 

This series takes viewers on an enriching and entertaining “field trip for grown-ups” to some of the most intriguing cities in Europe and North America. Journalist Christine Van Blokland brings her passion and genuine curiosity about the arts, quirky characters, storytelling and lifelong learning to this new series. In each location, Christine explores the hidden histories in their art, architecture, museums, monuments, houses of worship and city parks.

 

Curious Stockholm
What did Alfred Nobel invent that led him to create the Nobel Prize? What is Gamla Stan? What’s so important about the throne inside the Royal Palace of Stockholm? What is the Djurgarden Canal? Why did the Swedes grow grass on their rooftops?

 

PACIFIC HEARTBEAT
Hula: The Language of the Heart

 

The Merrie Monarch Hula Festival is a four-day competition and exhibition that showcases elegance, power and rich storytelling that this ancient art form portrays. This program highlights the 2012 festival winners and presents a look at hula’s role in the past, present and future of Hawaii’s people.

 

On March 8, Whole Foods Market will donate 5% of Hawai‘i net sales to PBS Hawai‘i

PBS Hawaii

For questions regarding this press release, contact:
Liberty Peralta
lperalta@pbshawaii.org
808.462.5030

 

Download this Press Release

 

Students from Waiakea High School in Hilo are among those from the 90 public, private and charter schools across the Islands in HIKI NŌ, PBS Hawai‘i’s flagship digital learning initiative, which will benefit from Whole Foods Market’s Community Giving Day.HONOLULU – Whole Foods Market Hawai‘i has selected PBS Hawai‘i as its statewide nonprofit partner for its upcoming Community Giving Day on Wednesday, March 8.

 

Pictured: Students from Waiakea High School in Hilo are among those from the 90 public, private and charter schools across the Islands in HIKI NŌ, PBS Hawai‘i’s flagship digital learning initiative, which will benefit from Whole Foods Market’s Community Giving Day.

 

That day, five percent of net sales from all three Whole Foods Market locations in Hawai‘i – Kahala and Kailua on O‘ahu, and Kahului on Maui – will go toward supporting PBS Hawai‘i’s mission of advancing learning and discovery through its video programming.

 

Whole Foods Market hosts Community Giving Days twice a year to benefit local nonprofits. These initiatives are part of the company’s core values and commitment to serving and supporting local and global communities.

 

“We are thrilled to partner with PBS Hawai‘i, as we have a shared interest in providing the highest quality products,” says Annalee England, Whole Foods Market Kahului Store Team Leader. “Whole Foods Market does so through our selection of the best natural, organic and locally sourced foods, and PBS Hawai‘i through their incomparable programming for the whole family.”

 

PBS Hawai‘i’s statewide digital learning initiative, HIKI NŌ, will benefit from the Community Giving Day. Through this program, PBS Hawai‘i offers free digital storytelling training for the program’s 90 participating public, private and charter schools across the Islands. The student video stories that result from this training are showcased online at pbshawaii.org, and on Thursday nights at 7:30 on PBS Hawai‘i.

 

Since its launch in 2011, HIKI NŌ has served more than 4,800 students. More than half of HIKI NŌ schools are Title I, the federal designation of schools with at least 40 percent of students coming from low-income families.

 

“With HIKI NŌ, PBS Hawai‘i is bridging serious educational and socioeconomic gaps,” says Leslie Wilcox, PBS Hawai‘i President and CEO. “This partnership with Whole Foods Market will help us with this important work in our island communities – some as near as those in PBS Hawai‘i’s own neighborhood of Kalihi, and as far and remote as South Point on Hawai‘i Island.”

 

Other programs produced locally by PBS Hawai‘i include the live, weekly community affairs program Insights on PBS Hawai‘i, the half-hour interview program Long Story Short with Leslie Wilcox and the Hawaiian music series Na Mele.

 

As the Islands’ only member of the trusted Public Broadcasting Service, PBS Hawai‘i carries flagship PBS programs, including Masterpiece, Antiques Roadshow, Independent Lens, NOVA, Frontline and educational children’s programming on PBS KIDS.

 

PBS Hawai‘i is also one of a handful of PBS stations in the country to carry a live feed of English-language international news coverage from Japanese public broadcaster NHK World.

 


PBS Hawai‘i is a 501(c) (3) nonprofit organization and Hawai‘i’s sole member of the trusted Public Broadcasting Service (PBS). We advance learning and discovery through storytelling that profoundly touches people’s lives. We bring the world to Hawai‘i and Hawai‘i to the world. pbshawaii.org | facebook.com/pbshawaii | @pbshawaii

 

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