Hula

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
At Halekulani’s House Without A Key

 

NĀ MELE goes on location to document a traditional, cherished Hawaiian experience. Halekulani has a special place in the hearts of Hawai‘i’s people and everyone who has spent time there. PBS Hawai‘i captures a late afternoon at the hotel’s House Without a Key with hula dancers Kanoe Miller and Debbie Nakanelua-Richards, and the musical trio Pa‘ahana (Pakala Fernandes, Kaipo Kukahiko and Douglas Po‘oloa Tolentino).

 

 

 

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
Melveen Leed

NA MELE: Melveen Leed

 

Singer Melveen Leed is joined by her hula dancer daughter Kaaikaula Naluai at the PBS Hawai‘i studios. Best known for contemporary Hawaiian, jazz and country, Moloka‘i girl Melveen also has deep roots in traditional Hawaiian song.

 

 

 

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
Kalani Peʻa

 

For a young Kalani Peʻa, music wasn’t just a hobby he enjoyed – it was also therapy, as he worked through a childhood speech impediment. On a new NĀ MELE: TRADITIONS IN HAWAIIAN SONG, the Grammy and Nā Hōkū-winning singer and his band perform selections from his albums, E Walea and No ʻAneʻi in the PBS Hawaiʻi studio. Discover Peʻa’s humble beginnings in Panaʻewa, Hawaiʻi Island, his creative drive and how music changed his life.

 

More from Kalani Peʻa:

 

Music Saved Me

 

There’s Beauty Everywhere

 

 

 

Kalani Peʻa

Cover story by Liberty Peralta, PBS Hawaiʻi

 

Kalani Peʻa

 

For Grammy- and Nā Hōkū Hanohano-winning singer Kalani Peʻa, music wasn’t just a hobby. It was therapy.

 

“I stuttered a lot as a child,” he says. “In preschool, my mom wanted me to take speech therapy. That didn’t work.”

 

A pivotal moment came when Pe‘a was only three years old, when his parents found him serenading a mannequin at a Hilo shopping mall.

 

“[My parents] were like: ‘If we put him through choir [and] vocal training, will that really help him, give him the confidence to be comfortable with himself, to be able to overcome such a challenge?’” Peʻa says.

 

The answer was a resounding “yes.” Indeed, Peʻa’s parents signed him up for vocal lessons and choir. Throughout childhood and into his college years, Peʻa would keep singing in talent shows and public performances.

 

NĀ MELE - Traditions on Hawaiian Song: Kalani Peʻa“Music saved me,” he says. “[Singing] helps me to enunciate and pronounce certain words, whether it’s in Hawaiian music or English.”

 

One word that many may find difficult to pronounce – his legal first name. “What the heck is a ‘Trazaara’?” Peʻa laughs. (It’s pronounced “trah-zah-ah-rah.”) “Trazaara is an English men’s cologne. My mom gave that to me. Sounds like an entertainer’s name, right?”

 

Growing up, Pe‘a lived with his family in a pink trailer home in Panaʻewa Homestead near Hilo. “We had lanterns; we didn’t have electricity,” he recalls. “And it was such a loving family. We weren’t rich, we weren’t poor, but I knew that we had to work hard … That home is a reminder of hard work for me.”

 

While continuing to work through his speech impediment in the third grade, he asked his parents about transferring from a mainstream English language school to a Hawaiian immersion program. “I wanted to speak [the Hawaiian language] just like my siblings,” Peʻa says.

 

He would remain in Hawaiian immersion schools, graduating from Ke Kula ʻO Nāwahīokalaniʻōpuʻu in Keaʻau, Hawai‘i Island. Wanting to cement his speech abilities, he moved to Colorado for college and earned a bachelor’s degree in mass communications.

 

Singer Kalani Pe‘a (in red cap) performing in the PBS Hawai‘i studio. He’s accompanied by Aron Nelson on piano, Nalei Pokipala on backing vocals, Henry Aiau Koa on guitar and Mark K. Vaught on bass guitar. In the foreground, from left, are Hula Hālau ‘O Kamuela dancers Julyen Kaluna, Auli‘i Faurot and Jasmine Kaleihiwa Dunlap.
Singer Kalani Peʻa (in red cap) performing in the PBS Hawaiʻi studio. He’s accompanied by Aron Nelson on piano, Nalei Pokipala on backing vocals, Henry Aiau Koa on guitar and Mark K. Vaught on bass guitar. In the foreground, from left, are Hula Hālau ʻO Kamuela dancers Julyen Kaluna, Auliʻi Faurot and Jasmine Kaleihiwa Dunlap.

 

“I was told that I would never be successful,” Peʻa says. “My siblings and I were told that if we spoke Hawaiian fluently, we’ll never go to college. And I went to college. We had to overcome challenges and misconceptions. That’s what I do.”

 

Music saved me

– Kalani Peʻa

 

And he does much of this through music. In a new episode of Nā Mele: Traditions in Hawaiian Song, Peʻa performs selections from his albums, E Walea and No ʻAneʻi, both of which won Grammy Awards for Best Regional Roots Album. Supporting Peʻa are: Henry Aiau Koa on guitar; Nalei Pokipala on backing vocals; Mark K. Vaught on bass guitar; and Aron Nelson on piano. Members of Hula Hālau ʻO Kamuela provide hula accompaniment. And from the lighting on set to his wardrobe, it’s clear that Peʻa has a trademark color, one often associated with royalty and creativity: purple.

 

For a creative like Peʻa, every moment is a chance to craft a melody. “I’m just inspired all the time, whether I’m sipping on coffee, or eating breakfast with my ʻohana …I’m all about pushing the envelope and coming up with ideas.”

 

He says the desire to strive and create are traits that have served Hawaiians well. “We’re all about collaborating with each other and finding innovative things to do,” he says. “Kalākaua was an innovative king. Kamehameha I was an innovative king, collaborating with the people of England. So when it comes to tradition, part of our traditional practices and values play a role in our lives now, but we seek balance between modern technology and our old cultural practices.”

 

Peʻa is familiar with this balancing act – honoring cultural traditions without sacrificing his personal identity. “I would call myself a modern Hawaiian, a Hawaiian of this century,” he says. “I speak Hawaiian fluently, I honor my kūpuna, I understand my values and protocol and teaching. [And] I am the guy with the purple sequined jacket. That’s who I am.”

 

 

 

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
Haunani Apoliona and Kuʻuipo Kumukahi

NĀ MELE: Haunani Apoliona and Kuʻuipo Kumukahi

 

Multiple Hōkū Hanohano Award-winners Haunani Apoliona and Kuʻuipo Kumukahi present classic Hawaiian songs in both solo and duet performances.

 

 

 

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
Natalie Ai Kamauu and Family

Na Mele: Natalie Ai Kamauu and Family

 

Natalie Ai Kamauu’s voice fills the PBS Hawaiʻi studio.  Natalie performs with a passion that comes from the origins of the songs she sings, and the love she has for her family. She is joined by her husband, Iolani Kamauu, on guitar and vocals, and their daughter, Sha-Lei Kamauu, who accompanies the music with hula.

 

Program

 

Among the songs featured are “Pili Aloha,” which connects Natalie to her mother, kumu hula Olana Ai, and “Shower Tree,” which was written for Natalie and Iolani’s son, Chaz. Sha-Lei joins Natalie and Iolani with hula, including the playful “Hula Tease,” and a graceful accompaniment to Natalie and Iolaniʻs performance on “Uhiwai.”

 

 

 

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
Weldon Kekauoha

Story by Emilie Howlett

 

 

Hawaiian musician Weldon Kekauoha has been crafting beloved musical arrangements and sharing them with Hawai‘i, the continental U.S. and beyond for over 30 years. He’s enjoyed a successful solo career, amassing multiple Nā Hōkū Hanohano awards and, in 2014, a Grammy nomination. For the past 15 years, he has been going to Japan to perform, finding an enthusiastic audience there that has embraced the Hawaiian culture.

 

Web exclusive:

 

 

Kekauoha gave a soulful performance in PBS Hawai‘i’s Harry and Jeanette Weinberg Multimedia Studio, for the taping of our newest Nā Mele. In this episode of our traditional Hawaiian music series, guitarist Jack Ofoia, bassist Alika Boy Kalauli IV and hula dancer Yuko Hashimoto accompany Kekauoha with a performance set against dramatic photo backdrops of Hawai‘i landscapes.

 

Identifying himself as a contemporary artist with a traditional foundation, Kekauoha goes in-depth about the meaning behind his songs, his experience as a longtime performer and the importance of music in his life.

 

He also addresses an incident at the Halekulani Hotel in 2013. While enjoying the pool during a weekend getaway at the Waikīkī hotel, Kekauoha and his family were asked by security guards to verify that they were guests. The guards were acting on another hotel guest’s suspicion that the Kekauohas did not belong at the pool because they were locals.

 

Kekauoha vented about the incident on Facebook. The post went viral, sparking widespread outrage. The hotel apologized, but for Kekauoha to be a target of discrimination in the same neighborhood where he and many other Hawaiian musicians made a name for themselves was a bitter irony for him.

 

Today, Kekauoha says he doesn’t harbor any ill feelings toward the hotel. “Hopefully it brought a little bit more of an awareness,” he says. “Racism can rear its head often, and we’ve got to always be vigilant to try and keep it in its place.” Thankfully, as Kekauoha knows intimately from his world travels, nothing breaks down barriers of difference better than the art of sharing music.

 

In these excerpts from an interview with Kekauoha and Jason Suapaia, PBS Hawai‘i’s Vice President of Integrated Media Production, Kekauoha highlights the many ways music has touched his life.

 

 

PBS Hawai‘i: How important is music in perpetuating the Hawaiian culture?

Weldon Kekauoha: Very, very important. People say hula has been able to sustain that part of the culture, and from there, so much of the [Hawaiian] Renaissance has been able to flourish. More interest has grown because of hula, and music has always been there in the background.

 

I think music is a little bit of a different animal, only because it’s so open for creativity and influence. If you look at so much of the history of Hawaiian music – in Hawai‘i, on the U.S. mainland, even abroad – it’s incredible to see how much the music has changed from being super traditional, and then going way out from it, to being commercialized.  And I mean that in a good way. There’s of course some negative aspects to it, and then “Hollywood-ized,” if you will. Then it took a long while to bring it back [to the traditional], because it just got so way out from the original intent of our culture. But it’s neat to see the revival of all that is Hawaiian, and the new pride that has been fostered from it. I’m looking forward to seeing what happens in the next 20 years.

 

Kekauoha, left, performs on Nā Mele with bassist Alika Boy Kalauli IV and hula dancer Yuko Hashimoto. Photo: Richard Drake

 

How has music touched your life, and your family’s life, and what would it be without music?

I can’t imagine how it would be without music. It’s always been there, it’s always been in the background for me at some level. And obviously, now, where I am, it’s what I do and it’s what I’m known for. I feel blessed that I get to do what I love to do. Oftentimes, people are looking for something to do that they enjoy, and I think if it wasn’t for music, I would probably embrace whatever it is that I was doing, and that would become perhaps my passion and I’d make it work. That’s your job. If you’re not happy, you gotta change.  But if you get to know your job well, and you love it, it’s a different type of enjoyment.  In this case, it’s always been something I’ve enjoyed since I was a young boy. To be able to carry it over into sustaining me, my family and my life all this time, I’ve been lucky.   And it’s still a work in progress. It’s like any other business; you gotta kind of take care of it, and try to make sure you have something good to sell, something good to give people. And you just continue with good relationships and good performances, and all that that entails. Having a good business is pretty much what you should shoot for.

 

When people listen to your music, what do you hope they will get from it?

I just hope that they would like my music, for whatever reason – whether it strikes a chord in them, or reminds them of something. Even I am totally susceptible; I can listen to a song and it just takes me back somewhere. And that’s the power of music. I always remember how strong music can be. I just hope [listeners] take away something. I don’t expect one song to be like a huge, life-changing moment for anybody, but if I can have a place in someone’s heart or mind because of my music, I think that would be my goal. I want them to take away something from my music that they will always remember, whether it’s a feeling or the melody.

 

This interview has been edited for clarity and length.

 

 

 



NĀ MELE: TRADITIONS IN HAWAIIAN SONG
The Lim Family

NĀ MELE: The Lim Family

 

Our newest offering of NĀ MELE: TRADITIONS IN HAWAIIAN SONG features the hugely talented, musical Lim Family of Kohala, Hawai‘i Island. Family members perform regularly at the Mauna Kea Beach Hotel, as well as the nearby Mauna Lani Bay Hotel, and they also travel often to Japan to entertain audiences and to teach hula. This program, recorded in PBS Hawai‘i’s Harry and Jeanette Weinberg Multimedia Studio, is a new setting for the Lims. But they seem at home almost anywhere, surrounded by music and family. On the program, you’ll see siblings Sonny Lim, Nani Lim Yap and Lorna Lim perform as a trio. Among the featured hula dancers are family members Namakana Davis-Lim, Brianna “Wehi” Lim Ryder and Asialynn Yap. Songs performed include “Lei Ana O Kohala,” “Ka Wahine O Ka Lua” and the instrumental “Pau Hana Rag.”

 

Program

 

 

 

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
Peter Medeiros

NA MELE Peter Medeiros

 

Slack key artist Peter Medeiros, accompanied by guitarist Josh Silva and bass player Nate Stillman, presents a fun evening of traditional slack key. Joining the trio are the dancers of Pua Aliʻi ʻIlima, led by kumu hula Vicky and Jeff Kānekaiwilani Takamine. Songs performed include “Ulili E,” “He‘eia,” “Ke Ala O Ka Rose” and “Kananaka.”

 

 

 

NĀ MELE: TRADITIONS IN HAWAIIAN SONG
Kawai Cockett and Darlene Ahuna

NĀ MELE Kawai Cockett and Darlene Ahuna

 

NĀ MELE features the traditional Hawaiian music of Darlene Ahuna and the late Kawai Cockett. In this vintage performance, Kawai Cockett is backed by Sam Sepitmo and Charlie Wahinehoʻokae. Joining Darlene Ahuna are her husband J.J. Ahuna and Led Kaapana. Haʻaheo Cockett provides hula artistry.

 

 

 

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