“Comfort Women” – A Twisted Euphemism

 

CEO Message

“Comfort Women” – A Twisted Euphemism
LONG STORY SHORT WITH LESLIE WILCOX: Nora Okja Keller

Honolulu’s Nora Okja Keller, author of the acclaimed novel Comfort Woman

 

Leslie Wilcox, PBS Hawai‘i President and CEOI remember exactly what I said some three decades ago to a Honolulu news colleague, when we first heard the expression “comfort women” and learned what it meant.

 

“How twisted is that?” I said. “A truly deceptive term to hide horrendous brutality against the powerless.”

 

Of course, that’s what euphemisms do. They mask unpleasantness; they blunt the horror.

 

This euphemism refers to young women of little means, mostly teenagers, forced into sexual slavery by the Imperial Japanese Army during the Sino-Japanese War and World War II. In filthy conditions, they were required to sexually service 20, 30, sometimes 50 Japanese soldiers a day.

 

They endured beatings, infection, disease and abortions. Most died.

 

At the end of World War II, survivors felt so much shame that many didn’t go home. They sought new lives and didn’t speak of their ordeal. One former captive was Keum-Ju Hwang, of South Korea, who finally resolved to tell her story before she died. She spoke in 1993 at a University of Hawai‘i symposium – and Honolulu resident Nora Okja Keller was in that audience.

 

Keller, born in Seoul and of half Korean ancestry, felt a “burden of history” and embarked on a journey of research and writing. The result was a critically acclaimed first novel, Comfort Woman. She recalled that before she heard Ms. Hwang’s account, she was only aware of scenes in Korean soap operas: “There’d be this mysterious woman, veiled in black, going through the background. And the reference would be, ‘Oh…do you see that woman? Something bad happened to her during the war.’”

 

PBS Hawai‘i will air an encore of my 2008 Long Story Short conversation with Nora Okja Keller on Tuesday, October 16, the week before our October 22 premiere of a POV film, The Apology, which follows three survivors – from China, the Philippines and South Korea. (See interview with the filmmaker on pages 4-5 of our October Program Guide.)

 

Keller’s inspiration, Ms. Hwang, died in 2013, knowing she had done her part to let the world understand her soul-scarring but freeing truth.

Aloha nui,

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